Signé Furax (1981) [re Up]

After the critical (and commercial) success of her debut two years earlier, Rickie Lee Jones had a lot riding on her sophomore album, Pirates. From the opening track, "We Belong Together," Jones served notice that she was willing to challenge herself and experiment with more unusual, complex song structures…

For those who spent the whole of the 1970s actually living on the dark side of the moon rather than listening to it, A Collection of Great Dance Songs offers an opportunity to hear some of the most timeless, thoughtful, and influential rock music ever made by rich, bitter Englishmen. The album's title certainly seems less deceptive now, considering just how much of the Floyd's instrumental ambience eventually seeped into the techno and dance scenes of the '90s. Initially released during one of those yawning epochs between studio albums (namely, The Wall and The Final Cut) this best-of collection cherry picks from Pink Floyd's 1970s material–the era when the band (and they were a band in those days) bestrode the stadiums of the world like light-show leviathans and sold records by the tons–and is only undermined by the omission of sprawling masterpieces such as "Echoes" and "Atom Heart Mother" (such were the time limitations of the old vinyl format). Never mind the dance floor, this a great portable Pink Floyd collection for long car journeys.

Zoot Sims (doubling on tenor and soprano) teams up once again with pianist Jimmy Rowles; this time bassist Frank Tate and drummer Akira Tana are the supporting cast. Rowles is a master not only at accompanying soloists (he always seems to come up with the perfect chord) but in picking up superior obscurities to perform. In addition to "Georgia on My Mind" and "The Touch of Your Lips," this album contains such tunes as "I Wish I Were Twins," "Changes" and Johnny Mercer's "You Go Your Way"; Sims contributed "The Fish Horn" to feature his soprano. A fine swinging date filled with thoughtful improvisations.

Peter Hammill is one of the formative characters of the progressive rock scene to date. In the beginning of the 1970's he recorded four cumbersome mysterious albums with his band Van der Graaf Generator which never could reach the commercial heights of cognate bands like Genesis or Yes due to their musical intransigence. After several visionary but difficult to access albums, Hammill reformed the quartet for another four albums which introduced a more earthy but not less complex sound. After the band's second end in 1978, on solo albums like "The Future Now", "ph7" or "A Black Box" Hammill experimented extensively in the studio and acquired the latest techniques like i.e. early forms of sampling; one of the most breath-taking results being the 20 minute long soundscape 'Flight'…

The Peruvian progressive rock band Frágil was founded in 1976 and gained quite huge success back then. Bands such as Genesis and Yes inspired them, and they took their name from the Yes album "Fragile" (1972). Fragil have released four albums and this is a re-edition of their first album "Avenida Larco" from 1981. Their sound is very beautiful, often dreamy and dominated by typical 80's sounding polyphonic synthesisers and lyrics in Spanish.