It's almost astonishing that it took until 2012 for Strange Euphoria, the first multi-disc retrospective box set of Heart's five-decade-plus career, to arrive. The set contains three CDs and a live concert DVD entitled "The Second Ending," shot between February and March of 1976 for Washington State's KSWU-TV. Strange Euphoria is nearly everything a retrospective like this should be…
The proper follow-up to Among the Living was somewhat disappointing in its inconsistency. While there are some good moments – "Be All, End All" is one of the band's most melodic moments, and several other tracks catch fire – the best thing here is a cover of Trust's "Antisocial," and it doesn't bode well when covers outshine original material…
After the awesomeness that was Spreading the Disease and Among the effing Living, Anthrax really set the bar pretty darn high. They had established a unique, heavy, and humorous thrash formula that they used to put out some of the best songs of the genre…
The proper follow-up to Among the Living was somewhat inconsistent…There are some good moments – "Be All, End All" is one of the band's most melodic moments, and several other tracks catch fire – and the best thing here is a cover of Trust's "Antisocial"…The lyrics continue the self-consciously intellectual, P.C. approach begun on Among the Living…
In 2001, Euphoria released Jaunty-Jolly/Guilty!!, which combined two albums by guitar slinger Howard Roberts on one compact disc: Jaunty-Jolly and Guilty!! , both originally issued on Capitol in 1967.
Kasabian make a most welcome return with a high-octane new album fuelled by their trademark swagger. New single ‘Scriptvre’ arrives in the wake of their snappy track ‘Alygatyr’ and heralds a brave new world from Serge’s magic kingdom. Produced by Serge Pizzorno and Fraser T Smith, mixed by Spike Stent and written by Serge, ‘Scriptvre’ is one of the many standout tracks on their eagerly anticipated new album The Alchemist’s Euphoria on Columbia Records.
Even though Slang successfully revitalized Def Leppard, it didn't become a huge hit, which was a disappointment, considering that the band adjusted their sound to fit the times. Taking that into account, Def Leppard set out to make a classic Def Leppard album with Slang's successor, Euphoria. And, surprisingly, that's exactly what they've delivered. From the outset, it's clear that Euphoria finds the band returning to the glam-inflected, unabashedly catchy, arena-ready pop-metal that made them stars – and it's also clear that they're not concerned with having a hit, they just want to make a good record.