Simone Iannarelli Tribute To Keith Jarrett

Recognised as one of the most accomplished musicians of his generation, Carsten Dahl pays a mesmerising tribute to the legendary Keith Jarrett on 'The Solo Songs of Keith Jarrett'.

Captured live at Tokyo’s Suntory Hall, renowned piano virtuoso Keith Jarrett performs some of his most memorable and haunting standards before an enthusiastic crowd. Performed entirely solo, these numbers clearly reveal the breadth and power of his immense musical skills. Recorded live at Suntory Hall, Tokyo on April 14, 1987.

Captured live at Tokyo’s Suntory Hall, renowned piano virtuoso Keith Jarrett performs some of his most memorable and haunting standards before an enthusiastic crowd. Performed entirely solo, these numbers clearly reveal the breadth and power of his immense musical skills. Recorded live at Suntory Hall, Tokyo on April 14, 1987.

Captured live at Tokyo’s Suntory Hall, renowned piano virtuoso Keith Jarrett performs some of his most memorable and haunting standards before an enthusiastic crowd. Performed entirely solo, these numbers clearly reveal the breadth and power of his immense musical skills. Recorded live at Suntory Hall, Tokyo on April 14, 1987.

Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has also been a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music. In 2003, Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes, and in 2004 he received the Léonie Sonning Music Prize. His album, The Köln Concert, released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll.

This is the Keith Jarrett Trio's – featuring bassist Gary Peacock and drummer Jack DeJohnette – elegy for their former employer Miles Davis, recorded only 13 days after the maestro's death. The lonely figure in shadow with a horn on the cover contrasts with the joyous spirit of many of the tracks on this CD, yet there is still a ghostly presence to deal with – and in keeping with Miles' credo, Jarrett's choice of notes is often more purposefully spare than usual. There is symmetry in the organization of the album, with "Bye Bye Blackbird" opening and the trio's equally jaunty "Blackbird, Bye Bye" closing the album, and the interior tracks immediately following the former and preceding the latter are "You Won't Forget Me" and "I Thought About You." The centerpiece of the CD is an 18-and-a-half-minute group improvisation, "For Miles," which after some DeJohnette tumbling around becomes a dirge sometimes reminiscent of Miles' own elegy for Duke Ellington, "He Loved Him Madly." As an immediate response to a traumatic event, Jarrett and his colleagues strike the right emotional balance to create one of their more meaningful albums.

Jazz pianist Keith Jarrett planned a major engagement with classical music in the early 1980s. His plans were cut short by a skiing accident and later by struggles with chronic fatigue syndrome, but this ECM release, marking Jarrett's 70th birthday and capturing a pair of performances from Saarbrücken, West Germany, and Tokyo in 1984 and 1985, respectively, suggests what might have been. Both performances were rapturously received in countries where audiences tend toward the undemonstrative, and it is not just Jarrett's rock-solid fan base that was responsible. The program itself represents Jarrett's most inspired choice.

Pianist Keith Jarrett suffered a massive stroke in February 2018, leaving him unable to play the piano. This date, recorded at Auditorium de l'Opéra National de Bordeaux on July 6, 2016, is his final French concert. It is the second release from his last European tour, following Munich 2016 (released in 2019) and The Budapest Concert (2020). All three showcase the improvising musician at a creative peak. The performance has been divided into 13 sections with natural breaks. "I" commences with an abrupt phrase that fades behind pedaled low notes. Jarrett is assertive, playing percussively distinct yet rapid single notes and shapes, while establishing a circular rhythm.