Antonín Dvořák’s music, imbued with the spirit of Bohemia, reflects a love of his native land. His String Sextet, written in the distinctive style which brought him international fame, was an immediate success at its premiere. Composed just eight years earlier, his String Quartet No. 4, unpublished until 1968, features pioneering, wild outer movements, highly unusual for the time, which foreshadowed the modernist innovations of composers decades later. A moving Andante religioso, which Dvořák made use of in future works, lies at its heart. The Polonaise exploits both the soulful and virtuoso character of the cello. Volumes 1–8 are also available.
Quatuor Ébène are celebrating Beethoven's 250th Birthday with performances of his string quartets in 18 countries spanning all six continents, and assembling the complete cycle for ERATO from seven stops on this world tour. 2020 is also the 20th anniversary of Quatuor Ébène.
Launching their complete cycle of Beethoven’s string quartets, the Cuarteto Casals present this first installment featuring initial examples of the genre from each of the three key periods in the composer’s career: his formative years, the socalled ‘heroic’ middle period and that of his artistic maturity. The ingenious juxtaposition reveals how his superhuman struggle for perfection informed a musical language of breathtaking originality in tandem with a depth of expression without precedent in this genre, of which Beethoven is the uncontested master.
With their recording of Dmitri Shostakovich's complete string quartets, the Quatuor Danel has crafted an impressive opus that delves into the composer's life with deep musical understanding and establishes unparalleled standards in interpreting his chamber music. These new live recordings, stemming from their 2022 residency at the Mendelssohn Hall of the Gewandhaus Leipzig, capture the full spectrum of emotions embedded in Shostakovich’s quartet cycle, from the ethereal to the profound, from the whimsical to the contemplative. With their interpretation of this extraordinary cycle, the Quatuor Danel has forged a distinctive Shostakovich style that cannot be found in any other quartet. Primarius Marc Danel reflects on the resonance with the audience in Leipzig, describing it as nothing short of sensational. “I hope the recordings will also convey the collective spirit we permanently felt during our residency in the Mendelssohn Hall."