Gottfried Finger was a Moravian composer and virtuoso viol player. Born in Olomouc, in the modern-day Czech Republic, and arriving in England in 1685, Finger worked for the court of James II before becoming a freelance composer. Hazel Brooks has spent a great deal of time researching the music for this recording, all of which may be found in the British Library manuscript Add. 31466, the single biggest source of violin sonatas by Finger. She writes: 'Finger's sonatas contain a quirky mix of styles. Bohemian features from his homeland, simpler Corellian traits, and the occasional nod to the English Purcellian school are fitted together like crazy paving.
Original Album Series contains the first five albums from the mighty Dayton funk band Slave: Slave (1977), The Hardness of the World (1977), The Concept (1978), Just a Touch of Love (1979), and Stone Jam (1980). Each disc is in a thin cardboard pouch with reproductions of the original front and back sleeve designs. Since the series limits itself to five discs, the band's phenomenal sixth album – Show Time (1981) – couldn't fit, but this is a convenient way to snap up the majority of the output from one of the planet's best funk bands. Not even the two-disc The Definitive Groove Collection covers all the great singles and album cuts featured within this small box.
"Into the night" is the final part of a trilogy by Poland's own Satellite, the previous parts being "A Street Between Sunrise And Sunset" (2003, the band's first album) and "Evening Games" (2005). Originally intended as a solo project by Collage's Wojtek Szadkowski, the band have rapidly evolved into one of the finest protagonists of neo-prog currently recording. Jarek Michalski takes over on bass, but the line up is otherwise unchanged. Jarek's bass playing is notable throughout the album, adding an underlying depth to the sound. The music here will appeal not just to those who enjoy the melodic power of bands such as Arena and Porcupine Tree, but also to those who favour the classic prog bands such as Yes and Pink Floyd.
Satellite's forerunner band, Collage, issued a true masterpiece in the mid-90's called Moonshine, which left most if not all critics worldwide unanimously enthused. It was a feat not to be repeated until 2003, when most members of Collage reformed under the name Satellite and gave birth to a debut disc of great songs with gorgeous instrumentation and production (Now, Fight, On the Run). The lead orbiter around whom all seems to revolve is Wojtek Szadkowski's songwriting and playing. One of the main reasons "Moonshine" had such an impact was due to his pen and his sticks, keeping everything dramaticand breathtaking. Barely a year after "A Street..", Satellite goes for the jugular with an even more stunning work, a tad less accessible than their debut disc, with a more pronounced symphonic edge and deeper presence.