Mighty Joe Young & Snooks Eaglin is, on the one hand, a skilled guitarist from Chicago who works hard on the sessions, and on the other hand, a versatile genius guitarist from New Orleans. The Legacy Of The Blues Vol. 4 is a compilation of two LPs from the Samuel Charters series of the same name based on the originals. This is a contrasting combination. Even though they use the same instrument, the guitar, it's almost a mixed martial art. However, for guitar lovers, this is also a very interesting approach. Rare Japanese edition.
This is the long-awaited and much requested recording of Jon Cleary captured live at his regular New Orleans Tuesday night gig at local hang Chickie Wah Wah. On this new disc, his first solo piano record, Jon plays an even mix of his own compositions. With favorites like “When You Get Back” and covers of obscure old RnB tunes he learnt from the likes of Snooks Eaglin, Earl King and Jessie Hill, these tracks showcase his rocking and funky barrelhouse New Orleans piano style, stripped down and raw.
The last great country blues singer, with an easygoing style that worked well in settings from solo to guitar/piano duets to small rhythm sections.
Sam Hopkins was a Texas country bluesman of the highest caliber whose career began in the 1920s and stretched all the way into the 1980s. Along the way, Hopkins watched the genre change remarkably, but he never appreciably altered his mournful Lone Star sound, which translated onto both acoustic and electric guitar. Hopkins' nimble dexterity made intricate boogie riffs seem easy, and his fascinating penchant for improvising lyrics to fit whatever situation might arise made him a beloved blues troubadour.
When Bill Wyman left the Rolling Stones, he didn't leave music at all. Instead, he went back to the songs he loved growing up, whether it was rock & roll or big band or folk/skiffle. Now, those tracks make up the majority of songs performed during Bill Wyman's Rhythm Kings Live, taped during a Berlin concert in June 2005. Supported by a talented cast of musicians including guitarist Albert Lee, Wyman and company are introduced one by one, with each then joining in for a fun and lively boogie version of "I Got a Woman." Each member of the band takes their turn on lead vocals, with Albert Lee taking charge during the swinging, big band bop of "Jump, Jive and Wail," while "Baby Workout" has the soulful pipes of Beverley Skeete.
This superbly recorded double disc (the original engineer was Eddie Kramer, best-known for his work with Hendrix) captured over a weekend worth of dates in February 1970 at the venerable New York City venue catches the Brit boogie quartet at the peak of their powers. These shows were sandwiched between their triumphant Woodstock set and the release of Cricklewood Green, generally considered the band's best work. They find the group primed through years of roadwork, as well as obviously excited to be playing in front of an appreciative N.Y.C. crowd…
2016 two CD collection of recordings by the former Rolling Stones bassist, both solo and with his Rhythm Kings. With all the tracks chosen by Bill Wyman himself, these two CDs present the perfect introduction to his recordings. Disc One contains songs from Bill's solo albums, kicking off with '(Si Si) Je Suis Un Rock Star', his big hit from 1981, as well as the follow-up hits. Disc Two features songs from Bill's Rhythm Kings, the ten-piece band with revolving guest stars that he put together in the 90s after leaving the Rolling Stones, as well as tracks from Willie And The Poor Boys, Bill's 1985 all-star side-project. The guest stars include Eric Clapton, George Harrison, Jimmy Page, Paul Rodgers, Georgie Fame, Peter Frampton, Chris Rea, Gary Brooker, Andy Fairweather Low, Charlie Watts, Dr John, Joe Walsh, Van Morrison and many more. The booklet lists who plays what on every track, along with annotation by Tony Rounce.