Soile Isokoski

Strauss singing doesn't come much better than this. No doubt the composer himself, with his love of the soprano voice, would have been enthralled by Isokoski's glorious singing. He might also have approved of Janowski's straightforward, quite brisk conducting as he was never one to sentimentalise his own music. With a combination of free, unfettered tone, not a hint of strain in high-lying passages, a fine legato and an amazingly long breath, Isokoski fulfils every demand of her chosen songs. To those attributes she adds just a hint of quick vibrato, which she uses unerringly to expressive purpose throughout.

Soprano Soile Isokoski is singing orchestral songs by three different French composers in her new recording. The recording includes two major works in the French song repertoire Ernest Chausson's Poème de l'amour et de la mer and Hector Berlioz's Nuits d'été. The disc ends with three finely-crafted miniature songs by Henri Duparc, which are no less of artistic value.

The surrounding nature always formed an integral source of inspiration for Finland’s ‘national composer’ Jean Sibelius. In his youth the composer imagined birds as various instruments of the orchestra, but also in his mature compositions the element of nature is very much present. When Sibelius moved to his home, Ainola, in 1904 – a place where he was to live and compose until his death in 1957 – his only request was a view to the lake nearby. As Sibelius’ biographer wrote: “When Sibelius first left Helsinki, Järvenpää [where Ainola is located] was to a large extent untouched countryside. Foals and sheep almost nosed their way into the house, and from time to time an elk majestically bestrode the grounds.” This peaceful environment inspired Sibelius to write the main part of his catalogue of works.

Claudio Abbado’s career with Deutsche Grammophon stretched back over more than four decades. He was as much a man of the theater as he was one of the greatest of all late 20th century symphonic conductors, and many of his opera recordings remain unsurpassed in the catalog. Building on the huge success of Claudio Abbado – The Symphony Edition, comes The Opera Edition: 60 CDs presenting Maestro’s complete opera recordings for Deutsche Gramophone and Decca.

A passionate lover of the human voice, Francis Poulenc composed the Dialogues des Carmélites in 1953, using a libretto he himself had written from a screenplay by Georges Bernanos. The first ever performances in Munich, this production was entrusted to Dmitri Tcherniakov, whose worldwide reputation is underpinned by productions like Eugene Onegin and Macbeth at the Paris Opera and Don Giovanni at Aix-en- Provence. The superb international cast includes a fine Blanche de la Force in Susan Gritton and an excellent Madame de Croissy by Sylvie Brunet, who was favourably compared to Rita Gorr in the press. They are superbly backed up by Soile Isokoski, Susanne Resmark, Hélène Guilmette, Alain Vernhes and the fabulous Bernard Richter. Kent Nagano with the Dialogues literally at his fingertips he recorded a landmark version some years ago is at the helm of the Bavarian State Opera Orchestra and Chorus.

Director Sven- Erich Bechtolf “has again delved deeply into music and text”, observed the opera magazine Opernnetz in its rave review of the performance captured here. “In Rolf Glittenberg’s beautiful Jugendstil salon, he is constantly in touch with the heartbeat of the story […] As Ariadne, Soile Isokoski radiates enchanting vocal beauty as she forms endless nuances in one blossoming phrase after another. Daniela Fally sings the gruellingly difficult part of Zerbinetta with great flexibility, acting it with nonchalant coquettishness.