Solar Quest & Choci Mesmerised

A Machine to Die For is about the search for 'perpetual motion' and 'free energy'. Conventional science claims this is impossible, yet generations of inventors have been mesmerised by the promise of an engine that powers itself. The world's reliance on diminishing fossil fuel resources and the associated problems of pollution serve to spur them on. A Machine to Die For showcases a number of dedicated, sometimes eccentric, and always obsessive individuals who have devoted their lives to this quest.

Machine to Die For is about the search for 'perpetual motion' and 'free energy'. Conventional science claims this is impossible, yet generations of inventors have been mesmerised by the promise of an engine that powers itself. The world's reliance on diminishing fossil fuel resources and the associated problems of pollution serve to spur them on. A Machine to Die For showcases a number of dedicated, sometimes eccentric, and always obsessive individuals who have devoted their lives to this quest.

Kris Needs repositions the roots of Sonny Blount aka Sun Ra on three discs (60 tracks) spanning his earliest 1933 recordings of big band jazz and be-bop, thru the birth of Sun Ra and the "future shock" of his later visions. "CD1 (Pre-flight) features Sun Ra’s earliest recordings from the 1940s, playing piano for Wynonie Harris and Lil Green, jamming with Stuff Smith, and coaching or arranging for artists such as Andrew Tibbs, the Hambone Kids and the Dozier Boys with Red Saunders’ Orchestra. Other artists he worked with featured here include pianist Dorothy Donegan, Joe Williams, Jo Jo Adams and LaVern Baker. There’s also an intriguing brace of tracks displaying his experiments with mid-1950s vocal groups such as Nu Sounds and Cosmic Rays, while introducing berserk space-preacher Yochanan. All along, Ra was blueprinting his sonic spaceship until the time was right to launch under his own name in mid-1956 with effervescent debut single, ‘Saturn’, on his newly-established label of the same name. Saturn is also the planet he claimed to be his birth-place. CD1 ends with the first 1956 Arkestra sessions, picked up again on CD2 (Lift-off), which runs through early Saturn singles such as ‘A Call For All Demons’, then tracks from Sun Ra’s early albums Jazz By Sun Ra, Sound of Joy, Visits Planet Earth and Super-Sonic Jazz, his sound tangibly expanding through the stunning Arkestral manoeuvres of tracks such as ‘Sunology’. CD3 ( Future Shock) mixes tracks from Sun Ra’s twin landmark albums Jazz In Silhouette and The Futuristic Sounds Of Sun Ra, with intoxicating one-off singles such as ‘Great Balls Of Fire’, ‘Space Loneliness’ and ‘Big City Blues’, the massively weird ‘Teenager’s Letter Of Promises’ with singer Juanita Rogers, before signing off with Yochanan’s demented ’Message To Earthman’."