Sonny Rollins 2000 The Freelance Years

The last of the classic Sonny Rollins albums prior to his unexpected three-year retirement features the great tenor with pianist Hampton Hawes, guitarist Barney Kessel, bassist Leroy Vinnegar, and drummer Shelly Manne (all bandleaders for Contemporary Records during this era) on an unusual but inspired list of standards. Rollins creates explorative and often witty improvisations on such songs as "Rock-A-Bye Your Baby with a Dixie Melody," "You," "In the Chapel in the Moonlight," and roaring versions of "I've Found a New Baby" and "The Song Is You." Great music.

The last of the classic Sonny Rollins albums prior to his unexpected three-year retirement features the great tenor with pianist Hampton Hawes, guitarist Barney Kessel, bassist Leroy Vinnegar, and drummer Shelly Manne (all bandleaders for Contemporary Records during this era) on an unusual but inspired list of standards. Rollins creates explorative and often witty improvisations on such songs as "Rock-A-Bye Your Baby with a Dixie Melody," "You," "In the Chapel in the Moonlight," and roaring versions of "I've Found a New Baby" and "The Song Is You." Great music.

BBC Arena - Sonny Rollins: Beyond the Notes (2011)
WE-DL | 1280x720 | .MKV/AVC @ 2606 Kbps | 59mn 31s | 1.14 GiB
Audio: English AAC 128 kbps, 2 channels | Subs: None
Genre: Documentary

2011 was the 82nd year in the extraordinary life of arguably the greatest saxophone player in the world, Sonny Rollins. Four decades ago, as a young filmmaker and aspiring musician, Dick Fontaine followed Rollins up onto the Williamsburg Bridge in Manhattan during one of his legendary escapes from the perils of 'the jazz life'. Today, still resisting stereotype and compromise, and revered by a new generation of young musicians, Rollins continues his single-minded search for meaning in his music and his life.

Sonny Boy Williamson was, in many ways, the ultimate blues legend. By the time of his death in 1965, he had been around long enough to have played with Robert Johnson at the start of his career and Eric Clapton, Jimmy Page, and Robbie Robertson at the end of it. In between, he drank a lot of whiskey, hobo'ed around the country, had a successful radio show for 15 years, toured Europe to great acclaim, and simply wrote, played, and sang some of the greatest blues ever etched into Black phonograph records. His delivery was sly, evil and world-weary, while his harp-playing was full of short, rhythmic bursts one minute and powerful, impassioned blowing the next. His songs were chock-full of mordant wit, with largely autobiographical lyrics that hold up to the scrutiny of the printed page. Though he took his name from another well-known harmonica player, no one really sounded like him.