Herbie Hancock's star-studded The Imagine Project was several years in the making, recorded in seven countries with musicians from all over the globe. Hancock's band with producer/bassist Larry Klein, drummer Vinnie Colaiuta, percussionist Alex Acuña, and guitarist Lionel Loueke is a common denominator. Much of what's here is interpretations of well-known pop, folk, and soul songs. That said, The Imagine Project (named for the John Lennon song) feels more like an overreach than a seamless or successful series of collaborations.
Nach dem nun schon viele Jahre ungebrochen andauernden Erfolg der Kuschelrock-Reihe, mausert sich auch das Pendant aus der Klassik zielsicher zu einem Hit. Was nicht verwundert, denn auch Klassikfans wollen romantisch sein. Während bei Kuschelrock in letzter Zeit der Trend allerdings zu mehr Charts-Titeln und daher zu einem eher geringeren Kuschelfaktor ging, blieb Kuschelklassik dem Kuscheln treu. Auch auf Volume 7 wird wieder eine Klassikauswahl präsentiert, die romantische, zärtliche Stunden für Genießer mit gehobeneren Ansprüchen garantiert.
Your attention is invited to a collection of albums of the now legendary Putumayo World Music label.
Each album is supplied with a colorful booklet containing a lot of interesting information about the music styles within the chosen themes for an album (the names of the albums are always bright - they speak for themselves), and also about the musicians-performers.
"Vande Mataram" became a Sanskit rallying cry for freedom in the early 1900s, as Indians protested against the partitioning of Bengal and its use as the title for the first international release by Ar Rahman, one of India's most popular contemporary recordings artists, is appropriate. Vande Mataram was released to coincide with the fiftieth anniversary of India's independence from colonial Britain and it also was designed to introduce the western world, particularly the United States, the wonders of modern Indian music and culture.
Shangri-la is one of the most beautiful albums I've ever heard.This album rates up there with American Seranade which I hope Collectibles will reissiue.Shangri la features songs from Asia and the Orient.All songs are just with the orchestra although on a few of them the womens wordless chrous is evident especially on Shangri-la.All songs on this album are very lush.I don't care about Music of Brazil although it has some good songs on it,because I have the imported cd Viva/Music of Brazil from the Uk.If you don't have viva. I also recomend this title.It has music of mexico.Liner notes for both Shangri la and The Music of Brazil are included here.Once again just as with the other Percy Faith reissues collectibles released, most of these songs by Faith are on cd for the first time.No arranger could conduct music like Percy Faith with the exception of Mantovani who I also have on a lot of cds.If you like beautiful music this cd should be in your collection. Amazon .
When I was about 14 years old in 1988, I heard Pandit Bhimsen Joshi voice very first time in my life in an Indian National Integration song called 'Mile Sur Mera Tumhara'. The moment I heard his voice, I felt like my spine was shaking with an ultimate bliss and I still have the same feeling whenever I listen to his voice. In my opinion and experience, he has Khayal's greatest male voice. Although 'Pandit Bhimsen Joshi' born in Karnataka (South India), he achieved greatest success in North Indian Classical Music.
Beyond the Music is a special 15-CD edition celebrating contralto Marian Anderson, the first Black singer at the Met. On April 9, 1939, a cold Easter Sunday, a woman in a fur coat walked down the steps of Lincoln Memorial, ready to perform open-air after being refused the largest hall in Washington because she was Black. As contralto Marian Anderson raised her voice to sing the words of My Country, ’Tis of Thee to the 75,000 who gathered to listen to her, an unforgettable historic moment unfolded. The great voice of “The Lady from Philadelphia,” first discovered by her local neighborhood, took her to global fame on the stages of Europe, Asia, and America. She became the first Black woman to perform at the Met in New York, she sang for presidents and kings, was honored with the Presidential Medal of Freedom, and with her dignity, courage, and unwavering belief in equal rights she became an icon in her supportive role for the civil rights movement.