Sophie Motsch

A puzzling paradox: although Vivaldi devoted over 30 years to composing for the Ospedale della Pietà in Venice, no complete musical setting of any liturgy by him has come down to us.

Incomparable virtuoso, called the Paganini of the harp, Felix Godefroid was also a composer and a teacher. This recording, performed by Sophie Hallynck, highlights the composer's studies in high virtuosity.

Incomparable virtuoso, called the Paganini of the harp, Felix Godefroid was also a composer and a teacher. This recording, performed by Sophie Hallynck, highlights the composer's studies in high virtuosity. Designed for his own use and that of professionals, partake of both "absolute music" - as with the deservedly famous etude in B Flat Minor, op. 193 - and the character piece, picturesque or sentimental.

The French and Italian Renaissance song repertoire, immortalised during the first three decades of the sixteenth century by the printed editions of Pierre Attaingnant in Paris and Ottaviano Petrucci in Venice, invites audiences, and in former times performers, to immerse themselves in a world in which memories of medieval courtly poetry, the austerity (as reimagined in the fifteenth and sixteenth centuries) of ancient lamentations, and a fully polyphonic narrative style, were all collided and superimposed-a certain sense of conversation can remind us also of the French air de cour as well as the early Italian madrigal form.

Longtemps méconnue et jouant dans les bars, La Grande Sophie ne se fait connaître que tardivement. Malgré un premier album en 1996 qui lui vaut de se produire dans des festivals français, ce n’est que dans les années 2000 que sa carrière est vraiment lancée. Patiemment formée à l’école de la scène et du microcosme associatif, c’est à la faveur du tube pop rock « Du courage » qu’elle devient l’une des voix les plus populaires de la scène pop rock hexagonale.

Sophie Dervaux, the first female bassoonist of the illustrious Vienna Philharmonic, continues her captivating exploration of Vivaldi's Bassoon Concerti. In this latest release, Dervaux masterfully continues her journey through Vivaldi's enchanting works, showcasing her exceptional talent and artistry.

Cellist Sophie Shao is a winner of the Avery Fisher Career Grant. She has been described by The New York Times as "eloquent and powerful." This is a beautiful program of great works from the past and the present.

“We have wanted to record Bach’s violin concertos with Sophie Gent ever since she joined Ensemble Masques in 2003”, says Olivier Fortin, harpsichordist and founder of the ensemble that explores Baroque music with such passion.

SOMM Recordings is delighted to announce a thrilling first collaboration between long-time SOMM stablemates, baritone Roderick Williams and the Coull Quartet, joined by tenor James Gilchrist and soprano Sophie Bevan.