Sound Behaviour

Vertigo Sound VSE-4 v1.0.226  Software

Posted by melt_ at Feb. 18, 2024
Vertigo Sound VSE-4 v1.0.226

Vertigo Sound VSE-4 v1.0.226 | 32.2 Mb

The VSE-4 plugin is inspired by the musical sound of the VSE-2 EQ, but presents its own unique sonic identity, integrated in a highly flexible user interface concept. With a fully parametric and modular design and its unique Saturation and FM Drive controls, the VSE-4 provides precise and musical EQing with analog sound, as well as exceptional control over the nonlinear behaviour of the filters. This enables the creation of more complex frequency-based distortion effects.
Organizational Behaviour: Improving Performance and Commitment in the Workplace, 5th Canadian Edition

Organizational Behaviour: Improving Performance and Commitment in the Workplace
English | 2022 | ISBN: 1260881261 | 1964 Pages | EPUB | 166 MB

JMG Sound Hyperspace v2.8  Software

Posted by melt_ at Jan. 31, 2024
JMG Sound Hyperspace v2.8

JMG Sound Hyperspace v2.8 | 12.4 Mb

Hyperspace is an algorithmic reverb allowing the user to create algorithms made up of various processors. Vintage, Classic, Retro, Modern, Sci-Fi and Cosmic modes let you combine various algorithms with endless possibilities. Hyperspace will enrich your tracks with myriads of colours.

JMG Sound Transmutator v2.8  Software

Posted by melt_ at Jan. 31, 2024
JMG Sound Transmutator v2.8

JMG Sound Transmutator v2.8 | 11.9 Mb

A cross-fade effect can be useful but a simple blending of one material into another can be a bit boring. Fortunately, there's now Transmutator which brings transition between tracks, song parts or whole songs to another level of fun and creativity.

Saga - Behaviour (1985)  Music

Posted by v3122 at July 30, 2020
Saga - Behaviour (1985)

Saga - Behaviour (1985)
XLD | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Belaire, SAGCD-7 | ~ 292 or 108 Mb | Scans(png, 600dpi) -> 80 Mb
Progressive Rock / Pop Rock

When Saga started out in the late '70s, their culmination of keyboards and guitar presented them with a sound that was nothing short of progressive. As the '80s approached, they began to slim down their long instrumental rock suites and play shorter songs with more lyrics, eventually taking on a sound that veered more toward a commercial feel…

Saga - Behaviour (1985)  Music

Posted by v3122 at Aug. 2, 2020
Saga - Behaviour (1985)

Saga - Behaviour (1985)
XLD | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Polydor, 825 840-2 | ~ 302 or 107 Mb | Artwork(png) -> 95 Mb
Progressive Rock

When Saga started out in the late '70s, their culmination of keyboards and guitar presented them with a sound that was nothing short of progressive. As the '80s approached, they began to slim down their long instrumental rock suites and play shorter songs with more lyrics, eventually taking on a sound that veered more toward a commercial feel. Behaviour represents a little of both, with some of the tracks gleaming with radio savvy while a few still involve the band's unmistakable progressive flair but to a lesser extent…
How Educated English Speak English. Pronunciation as Social Behaviour: Pronunciation as Social Behaviour

Ingrid Wotschke, "How Educated English Speak English. Pronunciation as Social Behaviour: Pronunciation as Social Behaviour"
English | 2014 | pages: 252 | ISBN: 3732900622 | PDF | 2,2 mb

Saga - Behaviour (1985) [2021, Remastered, 24-bit/48 kHz]  Vinyl & HR

Posted by v3122 at Aug. 20, 2021
Saga - Behaviour (1985) [2021, Remastered, 24-bit/48 kHz]

Saga - Behaviour (1985)
FLAC (Tracks) 24-bit/48 kHz | Official Digital Download | Time: 00:45:17
Progressive Rock | Label: earMUSIC | ~ 571 Mb

When Saga started out in the late '70s, their culmination of keyboards and guitar presented them with a sound that was nothing short of progressive. As the '80s approached, they began to slim down their long instrumental rock suites and play shorter songs with more lyrics, eventually taking on a sound that veered more toward a commercial feel. Behaviour represents a little of both, with some of the tracks gleaming with radio savvy while a few still involve the band's unmistakable progressive flair but to a lesser extent…
Nordic Voices - Henrik Hellstenius: 'Public Behaviour'; Together (2024) [Official Digital Download 24/48]

Nordic Voices, Stavanger Symphony Orchestra, Hans-Kristian Kjos Sörensen, Ilan Volkov, Ellen Ugelvik, Jennifer Torrence & Kai Grinde Myrann - Henrik Hellstenius: 'Public Behaviour'; Together (2024)
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 53:42 minutes | 519 MB
Classical, Vocal | Label: BIS, Official Digital Download

Ever since he was a child, Norwegian composer Henrik Hellstenius has sought to explore music more freely than by simply mastering the classics. His language, which draws its inspiration from the modes of expression of his time, takes shape in the course of his work through sound, movement, rhythm and silence, as well as in his encounters with musicians and their instruments. Here, much of what is expressed is part of an intense inner monologue: a litany of doubt, affirmation and frustration being whispered, said, sung and shouted. Everything about these two works, from their titles to their modes of expression, suggests that they are directed outwards towards society in general and towards individuals in particular. Public Behaviour is about how we act together in an age of extreme individualism.
Nordic Voices - Henrik Hellstenius: 'Public Behaviour'; Together (2024)

Nordic Voices, Stavanger Symphony Orchestra, Hans-Kristian Kjos Sörensen, Ilan Volkov, Ellen Ugelvik, Jennifer Torrence & Kai Grinde Myrann - Henrik Hellstenius: 'Public Behaviour'; Together (2024)
WEB FLAC (tracks) - 219 Mb | MP3 CBR 320 kbps - 128 Mb | Digital booklet | 00:53:42
Classical, Vocal | Label: BIS

Ever since he was a child, Norwegian composer Henrik Hellstenius has sought to explore music more freely than by simply mastering the classics. His language, which draws its inspiration from the modes of expression of his time, takes shape in the course of his work through sound, movement, rhythm and silence, as well as in his encounters with musicians and their instruments. Here, much of what is expressed is part of an intense inner monologue: a litany of doubt, affirmation and frustration being whispered, said, sung and shouted. Everything about these two works, from their titles to their modes of expression, suggests that they are directed outwards towards society in general and towards individuals in particular. Public Behaviour is about how we act together in an age of extreme individualism.