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Cecil Taylor - The Tree Of Life (1991) {FMP CD 98 rel 1998}
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© 1991, 1998 Free Music Production | FMP CD 98
Jazz / Modern Creative / Avant-Garde Jazz / Piano

This "thank you" concert to the city of Berlin at the end of Cecil Taylor's six-month stay there in 1990 is a lovely, vibrant affair. In trademark fashion, "The Tree of Life" is one work, broken up into five "periods" or movements. The invocation in period one doesn't even feature a piano, just empty space and Taylor's voice creating a kind of spirit ground for him to play from. "Period 2" is where things actually begin. Taylor begins in ballad form; long eighths and ninths are extended into minor-key formations and distillations of mode and harmonic interval. There is a kind of distended harmony at work, with left and right hands playing opposite each other in perfect formation and rhythm: One idea, or theme, cancels out the previous one and sets up a new paradigm for consideration over the course of a 12 or 13 measures.

Mozart, l'opéra rock ("Mozart, the rock opera") is a French musical with music by Dove Attia, Jean-Pierre Pilot, Olivier Schultheis, William Rousseau, Nicolas Luciani, Rodrigue Janois and François Castello, lyrics by Vincent Baguian and Patrice Guirao and a book by Attia and François Chouquet. The show is a dramatization of the life of Wolfgang Amadeus Mozart beginning from the age of 17 and culminating with his death in 1791 at the age of 35. It uses both original pop-rock compositions as well as pre-existing music composed by Mozart and other composers, including Antonio Salieri.

Expansive 13 disc (12 CDs + NTSC/Region 0 DVD) collection of solo material by Queen drummer Roger Taylor including albums from his side project The Cross. This box set celebrates his 35 years of activity outside of his `day job' in Queen…

Queen drummer Roger Taylor's first solo album is a fairly strong set of up-tempo rockers and well-written ballads featuring Taylor's rough voice and effective croon. Much of the material is reminiscent of Taylor's work for Queen – more guitar-based and less bombastic than the work of his cohorts in that band. That's not to say Taylor doesn't get over-dramatic. On "Future Management" and "Magic Is Loose," Taylor's vocals are quite over the top…

Queen drummer Roger Taylor's first solo album is a fairly strong set of up-tempo rockers and well-written ballads featuring Taylor's rough voice and effective croon. Much of the material is reminiscent of Taylor's work for Queen – more guitar-based and less bombastic than the work of his cohorts in that band. That's not to say Taylor doesn't get over-dramatic…

Queen drummer Roger Taylor's first solo album is a fairly strong set of up-tempo rockers and well-written ballads featuring Taylor's rough voice and effective croon. Much of the material is reminiscent of Taylor's work for Queen - more guitar-based and less bombastic than the work of his cohorts in that band. That's not to say Taylor doesn't get over-dramatic. On "Future Management" and "Magic Is Loose," Taylor's vocals are quite over the top. However, "No Violins" and "Let's Get Crazy" balance things out with some fairly straightforward rock numbers that show the influence of 1950s rock & roll. Surprisingly, Taylor, who rarely wrote a ballad with Queen, shows himself quite adept at writing slower pieces on the lovely "Laugh or Cry"…