Some years ago Austrian radio ORF started a series of recordings with polyphony from the renaissance on its own label. The ensemble The Sound and the Fury has recorded music by well-known masters like Nicolas Gombert, Pierre de la Rue and Johannes Ockeghem. But they have also paid attention to some forgotten composers of the 15th century. One of them is Guillaume Faugues. As so often there is quite a difference between his reputation in his own time and in modern times. It is very likely nothing of his oeuvre has ever been recorded before.
Some years ago Austrian radio ORF started a series of recordings with polyphony from the renaissance on its own label. The ensemble The Sound and the Fury has recorded music by well-known masters like Nicolas Gombert, Pierre de la Rue and Johannes Ockeghem. But they have also paid attention to some forgotten composers of the 15th century. One of them is Guillaume Faugues. As so often there is quite a difference between his reputation in his own time and in modern times. It is very likely nothing of his oeuvre has ever been recorded before.
Chester Burton "Chet" Atkins (June 20, 1924 – June 30, 2001), known as "Mr. Guitar" and "The Country Gentleman", was an American musician, occasional vocalist, songwriter, and record producer who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily known as a guitarist. He also played the mandolin, fiddle, banjo, and ukulele…
One could easily make the case for designating the Masters Apprentices as the best Australian rock band of the '60s. Featuring singer Jim Keays and songwriter/rhythm guitarist Mick Bower, the band's earliest recordings combined the gritty R&B/rock of Brits like the Pretty Things with the minor-key melodies of the Yardbirds. The compelling "Wars or Hands of Time" and the dreamy psychedelia of "Living in a Child's Dream" were undiscovered classics, although the latter was a Top Ten hit in Australia. Bower left the group after suffering a nervous breakdown in late 1967, and the Masters grew steadily less interesting, moving from flower pop and hard rock to progressive and acoustic sounds.
One could easily make the case for designating the Masters Apprentices as the best Australian rock band of the '60s. Featuring singer Jim Keays and songwriter/rhythm guitarist Mick Bower, the band's earliest recordings combined the gritty R&B/rock of Brits like the Pretty Things with the minor-key melodies of the Yardbirds…