This is Susan Wong's third album. It was released in 2010 and, according to her label Evosound, was recorded in Geneva, Switzerland with producer Adrien Zerbini and features Spanish guitar maestro and arranger Ignacio Lamas. It was mixed by Yvan Bing (co-producer of Phil Collins new hit album) and mastered by Bernie Grundman in Hollywood, USA.
Popularity seems to rest as much on chance as on merit, for it is difficult to understand why the Turandot Suite has never become a popular repertory piece. It has all the qualities of melodic appeal (its fifth movement quotes Greensleeves), resourceful invention and brilliant orchestral colour that should ensure its popularity. The two Studies, the Sarabande and Cortège, written in preparation for his opera, Doktor Faust, remain the composer’s masterpiece, highly searching and imaginative music that can claim to be profound, as, indeed, can the Berceuse élégiaque. Both performances and recording are very good, and this disc serves as an admirable and inexpensive introduction to a fascinating and underrated master.
Named after the Japanese word for chameleon, Susan Wong’s twelfth album Kamereon highlights the Hong Kong-born singer’s unerring ability to bring a fresh, new complexion to a wide range of songs taken from different musical genres. Aided by her producer, the Osaka-born saxophonist Hisatsugu Suzuki, and his band, Wong has created a stylish jazz album brimming with her trademark soulful vocals drizzled over syncopated grooves.
Pianist/composer and 2021 Guggenheim Fellow Helen Sung celebrates the work of influential women composers on her latest album Quartet+, crafting new arrangements of tunes by Geri Allen, Carla Bley, Mary Lou Williams, Marian McPartland and Toshiko Akiyoshi while carrying the tradition forward with her own stunning new works. Co-produced by violin master Regina Carter, the album pairs Sung’s quartet with the strings of the GRAMMY® Award-winning Harlem Quartet in an inventive meld of jazz and classical influences.
Pianist/composer and 2021 Guggenheim Fellow Helen Sung celebrates the work of influential women composers on her latest album Quartet+, crafting new arrangements of tunes by Geri Allen, Carla Bley, Mary Lou Williams, Marian McPartland and Toshiko Akiyoshi while carrying the tradition forward with her own stunning new works. Co-produced by violin master Regina Carter, the album pairs Sung’s quartet with the strings of the GRAMMY® Award-winning Harlem Quartet in an inventive meld of jazz and classical influences.
Legendary alto saxophonist Charles McPherson makes his Smoke Sessions debut with an inspired album, Reverence, dedicated to Barry Harris, captured in front of a live audience at Smoke Jazz Club and featuring his quintet of Terell Stafford, Jeb Patton, David Wong, and Billy Drummond.
Except for occasional trips to the New York live scene and recording sessions, John Hart devotes his time in teaching younger generations as the head of the Jazz Guitar Department at the Frost School of Music, University of Miami. The inspiration for the unusual instrumentation of this album (baritone sax, guitar, bass and drums) came from one of his classrooms where he tutors ensemble playing. He then, of course called his favourite baritone man Gary Smulyan to join the session. Checkmate, the third album by John Hart on SteepleChase was recorded a few weeks before the onset of the Corona virus pandemic. Now after a long dark year of lockdown we hope we can call "checkmate" on the virus.