Spike Wilner Odalisque

Director Sam Eastmond composed and arranged these works for the 15-piece big band Spike Orchestra, as he examines the power and magic of words through stories, splintered and fragmented through resonance and dissonance, merging influences, styles and instrumental colors over four expansive works yielding inspired moments in orchestration and soloing.

An outstanding artiste on the Chicago musical scene, Carey, in addition to guiding his sons Lurrie, Steve and James towards the blues, did not fossilise his style into the urban one, but often enjoyed leaving the electric cage to perform acoustically in a duo. Although the results have been late in arriving, in spite of the occasional presence of famous musicians such as Louisiana Red, everything has changed after the issue of this CD. First of all the work is almost free of the usual standards, with the exception of ‘'Good Morning Little Schoolgirl’’ and ‘Stop Breaking Down’, and the parts between Bell and the guitarist/singer Spike Ravenswood (a linear and expressive partner, without instrumental egocentricities which are useless in the economy of work), are equally divided…

Cyrille Aimée is a young French jazz singer living in New York. She has become a regular at Smalls jazz club (which routinely documents its gigs on CD and online, so her reputation might deservedly spread), often alongside pianist Spike Wilner and saxophonist Joel Frahm, who are joined here by trumpeter Roy Hargrove…

Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings is a previously unissued 3-LP collection of recordings from jazz icon and virtuosic pianist, Art Tatum, captured live at the Blue Note jazz club in Chicago in March of 1953 with guitarist Everett Barksdale and bassist Slam Stewart. These recordings were transferred from the original tape reels and mastered for LP and CD by engineer Matthew Lutthans (who also worked on Resonance’s Grammy-nominated 2019 Nat King Cole release Hittin’ the Ramp). Containing a whopping nearly 3 hours of never-before-heard Art Tatum captured in an intimate setting at the height of his powers with his longtime trio, the deluxe, limited-edition 180-gram 3-LP gatefold set (and 3-CD set) includes rare photos and memorabilia from Herman Leonard, Bob Parent and the Holzfeind family archives (owners of the Blue Note jazz club in Chicago); plus liner notes from Columbia University professor and author, Brent Hayes Edwards; as well as statements from Ahmad Jamal, Sonny Rollins, Monty Alexander, ELEW, Spike Wilner, Johnny O’Neal, Michael Weiss and Terry Gibbs.