Sport Week Del 30 03 24

"The perfect casting" wrote Opera Magazine about Jakub Józef Orlinski's interpretation of Orfeo in San Francisco. The Polish countertenor is tailor-made for the character of the mythical singer. Orfeo quickly developed into one of his signature roles, which Jakub Józef Orlinski has embodied in various productions around the world. Now the countertenor himself is releasing a recording of Gluck's Orfeo & Euridice - as producer, casting director, artistic co-director (alongside conductor Stefan Plewniak) and, of course, interpreter of the main role.

Paul Delmet (1862-1904) was recognized as the greatest “chansonnier” of his time. Claude Debussy sees in him the “only truly French musician” who has captured the soul of his time.

Sergey Taneyev’s music was acclaimed by some as a ‘model of pure style and sublime art’, but he was a loner whose supreme mastery of European Classical technique placed him outside the more nationalist trends of the day. The Violin Sonata in A minor is neo-Classical in its reserved and often song-like moods and expressions. It contrasts with the grand scale of the Piano Quintet in G minor in which the virtuoso nature of the piano writing reflects Taneyev’s own prowess, and the brilliant integration of the works’ themes cumulate into an overwhelming conclusion.

Sergey Taneyev’s music was acclaimed by some as a ‘model of pure style and sublime art’, but he was a loner whose supreme mastery of European Classical technique placed him outside the more nationalist trends of the day. The Violin Sonata in A minor is neo-Classical in its reserved and often song-like moods and expressions. It contrasts with the grand scale of the Piano Quintet in G minor in which the virtuoso nature of the piano writing reflects Taneyev’s own prowess, and the brilliant integration of the works’ themes cumulate into an overwhelming conclusion.