Springsteen Glenvale

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen - Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan - Piano, keyboards, accordion; Clarence Clemons - Tenor and baritone saxophones, percussion, backing vocal; Danny Federici - Organ, keyboards, accordion; Nils Lofgren - Electric and acoustic guitars, backing vocal; Garry Tallent - Bass; Stevie Van Zandt - Electric and acoustic guitars, mandolin, backing vocal; Max Weinberg: Drums; Charlie Giordano - Organ, keyboards, accordion; Soozie Tyrell - Violin, acoustic guitar, percussion, backing vocal

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal.

The Essential Bruce Springsteen is a compilation album by Bruce Springsteen, released on 11 November 2003. Per liner notes comments by Springsteen, the collection was intended as an introduction to his music for new fans who attended shows on The Rising Tour; hence, it includes songs from every Springsteen album since his debut. The album was available as a 2-disc set and, later, as a limited edition 3-disc set; for the latter, the third disc contained a selection of rarities and previously unreleased recordings.

As measured by cultural impact and mass popularity, Bruce Springsteen’s 1984-85 World Tour was the apex. Considering its stunning scale, playing multi-night stadium stands, it’s easy to forget that 1984 was a rebirth of sorts, the start of a new era as much as a continuation of what came before it. On the biggest tour of his career, Springsteen was rebuilding the engine while the plane was flying.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any of the other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective the E Street Band, a group who debuted on his second album, 1973's The Wild The Innocent & The E Street Shuffle, and who would support him through most of his career.

Nicknamed "The Boss", Springsteen is an American singer-songwriter and rock musician, widely known for his brand of poetic lyrics, his Jersey Shore roots, his distinctive voice, and his lengthy and energetic stage performances. He released his first album in 1973. The backing group that played for him is called The E-Street Band. Inducted into Rock And Roll Hall of Fame (Performer) and Songwriters Hall of Fame in 1999.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,