Stan Getz Chet Baker The Stockholm Concerts

According to this set's annotator, Mike Hennessey, and Stan Getz's biographer, Donald Maggin, the circumstances surrounding the making of these 1983 recordings was unpleasant in the extreme. For various reasons, Getz was unhappy to be concertizing with Baker and forced him out before the 35-date tour was halfway finished. Before Baker left, however, the men played a pair of concerts in Stockholm, which were fortunately recorded for posterity. Fortunately not because Getz and Baker shared any special rapport that led to a classic performance, but because the resulting album gives listeners another example of how wonderful a player Chet Baker was, even after years of drug addiction and general dissolution. Getz is his typical self – lyrical, facile almost to the point of glibness, but musical nevertheless. Baker, on the other hand, is as he ever was – one of the most spontaneously creative, emotionally compelling voices in jazz. The band is good if unspectacular; drummer Victor Lewis was a particularly nice choice in that he could drive a band like this without overwhelming the rather brittle lead voices. And Getz is excellent; if you're a Getz fan, he's in fine form here, so you won't be disappointed. Baker, on the other hand, is superb; it's his inimitable musicality that ultimately makes this rather pricey three-disc set a bargain.

According to this set's annotator, Mike Hennessey, and Stan Getz's biographer, Donald Maggin, the circumstances surrounding the making of these 1983 recordings was unpleasant in the extreme. For various reasons, Getz was unhappy to be concertizing with Baker and forced him out before the 35-date tour was halfway finished. Before Baker left, however, the men played a pair of concerts in Stockholm, which were fortunately recorded for posterity. Fortunately not because Getz and Baker shared any special rapport that led to a classic performance, but because the resulting album gives listeners another example of how wonderful a player Chet Baker was, even after years of drug addiction and general dissolution. Getz is his typical self – lyrical, facile almost to the point of glibness, but musical nevertheless. Baker, on the other hand, is as he ever was – one of the most spontaneously creative, emotionally compelling voices in jazz. The band is good if unspectacular; drummer Victor Lewis was a particularly nice choice in that he could drive a band like this without overwhelming the rather brittle lead voices. And Getz is excellent; if you're a Getz fan, he's in fine form here, so you won't be disappointed. Baker, on the other hand, is superb; it's his inimitable musicality that ultimately makes this rather pricey three-disc set a bargain.

Previously unknown hard bop and cool jazz from Berlin Image Films of the 1960s, transferred and carefully restored from the original master tapes. All music by composer, vibraphonist and pianist Manfred Burzlaff (1932-2015), a true master of harmonies, inventing improvisational concepts and experiments somewhat comparable to the famous style of the Clarke-Boland Sextet. Lost soundtracks from promotional films for the city of West-Berlin, all original material plus versions of Mobley 's "Infra-Rae" and Tjader's "Crow's Nest". Burzlaff was one of the best European vibraphonists and a great arranger, which is not just a sentence being said because he doesn't live anymore ! Vinyl-LP exclusive & digital, with unseen photos and nicely written obituary by Tatjana Wulfert.