On KASSANDRA, composer Anthony Brandt and librettist Neena Beber explore two leading issues of our times — climate change and sexual harassment. Based on the Greek myth of Apollo trying to seduce Trojan princess Cassandra, Brandt and Beber tell the tragic yet familiar story of Kassandra, a scientist whose forecasts of climate change are discredited as a result of rejecting sexual advances from a venture capitalist. In the ancient myth, Apollo places a curse on Cassandra: she will see the future but no one will believe her. In today’s world, scientists face a similar curse, their warnings of our warming planet too often ignored. Brandt and Beber’s chamber opera challenges us to heed Kassandra’s predictions.
In the mid- to late '60s, Blue Note was beginning to take on the affectations of funk and a new kind of "cool." For the most part, Turrentine steers clear of that style, and Rough 'n' Tumble is a pretty straight-ahead set, especially for 1966. "And Satisfy" and "Feelin' Good" typify the comfortable sessions, and both show off Turrentine's trademark tasteful playing. To its credit, Rough 'n' Tumble isn't rife with covers of songs that were doomed to be ephemeral, and Turrentine tackled two of the more lasting songs. His cover of Sam Cooke's "Shake" adheres closely to the original. Bacharach and David no doubt figured into jazz albums of the time, and "Walk On By" gets a suitably downcast reading here…
This title features the latest fully priced listing of the popular stamps of Guernsey, Alderney, Jersey and the Isle of Man. Updated to the end of 2005 and now illustrated in full colour, this new edition includes the 'Regional' issues, the wartime occupation stamps of the Channel Islands and the issues of the independent postal administrations, miniature sheets, first day covers, presentation packs, commemorative covers and postcards.
With Mosaic Records expanding its horizons over the past few years, fans of many different styles have had the opportunity to expand their collections and recent Mosaic honorees have included Mildred Bailey, Eddie Condon, Bobby Hackett, Chico Hamilton, and Anita O’Day. But to those long time followers, it continues to be the hard bop verities of the Blue Note label that have often been synonymous with Mosaic’s mail order dynasty. ~ AllAboutJazz
Virginians Ralph and Carter Stanley, the Stanley Brothers, took the traditional Appalachian string band songs of their home and updated them into a traditionally rooted modern bluegrass sound that was singular for its authentic tone, no-frills simplicity, and at times haunting and astonishing beauty, the very model of the high lonesome sound. This expansive four-disc, 111-track box covers the later part of the middle period of their recording career, collecting virtually every side the brothers recorded for the King record label between 1961 and 1965. That's a whole lot of Stanley Brothers, but the musical quality, integrity, and execution of this storied duo never waver here, and indeed, they never really did waver one bit any time the two of them stepped in front of the microphones.
'An attractive record' (Gramophone)
'Great sound and warmly recommended' (Fanfare, USA)
'The players are technically superb, but also play with a grace and lightness which are wholly uplifting' (BBC Music Magazine Top 1000 CDs Guide)
Although there is nothing groudbreaking in his musical style, John Stanley takes the Italianate Handelian idiom and filters it into a distinctly English style and language. Born a generation after Handel (in 1710), he was blinded at age 2 yet showed a great aptitude for music…