An Italian band from Perugia with a very long story, that hadn't left any recordings until recently, apart from a lonely track on a rare split promo single. L'Estate di San Martino was created in 1975 to provide the musical background to a theatre play with a sound mostly based on acoustic guitars, flute and percussion. In 1978 the group took part in the Centocittà contest, reaching the final show in Capri and winning the chance of recording the single "Il Bimbo e l'Eroe". The record was released, but only in promotional form. In the following years the line-up became stable with the addition of new musicians to enrich the sound, with use of keyboards, electric guitar and drums, and the group had an intense live activity mostly in Umbria, with shows based on concept projects, and long tracks with large instrumental parts…
There are two ways to look at an eponymous album by a band well into its fourth decade of existence: it's either a rebirth or a summation. In the case of Def Leppard's 2015 album – their eleventh studio set, arriving a full seven years after Songs from the Sparkle Lounge – the record is most certainly the latter, a nifty encapsulation of the group's range, obsessions, and ambitions…
With 63 tracks and a total running time of just under four hours, Dust On The Nettles examines the metamorphosis that British folk underwent during the late 1960s, when the influence of psychedelia and the counterculture saw the idiom being twisted into all kinds of new and exotic shapes, as the finger-in-the-ear folk clubs of yore were inexorably drawn into a brave new world of Arts Labs, free festivals and the nascent college/university circuit.
A stunning second set from Hiatus Kaiyote – a group we already loved the first time around, but who really blow us away with this amazing little record! The style is this incredible mix of cosmic keyboards and soulful vocals – but not in a way that's like any of the other oft-tread paths in that combination on the market at all. Instead, the group almost put the keyboards first – working from some Herbie Hancock electric 70s mode, but very much with their own style – then find a key place for the sublime singing of Nai Palm – a vocalist who's got this style that's heavenly, and almost with her own sort of electricity as well. Individual tunes are great, but the whole thing really works together as one long sonic trip – a mindbending journey through tracks that include "Prince Minikid", "Shaolin Monk Motherfunk", "Laputa", "Borderline With My Atoms", "Swamp Thing", "Fingerprints", and "The Lung".
This is a box set of previously unreleased live recordings from Yes's 1972 (fall) North American tour. There are seven concerts here, and each concert is covered by a pair of CDs. Each pair comes in its own double gatefold with unique artwork. On the inside is printed the location and date of the concert, along with the tracklisting and credits…
Jeff Lynne's ELO brings the first CD in 14 years. Features Blu-spec CD2 format and contains 13 tracks total, including a Japan only bonus track "On My Mind" and two bonus tracks for this edition. Comes with a description and lyrics. Alone in the Universe isn't the first Jeff Lynne album of the 21st century, nor is it the first Electric Light Orchestra of the 21st century. That honor belongs to Zoom, a 2001 comeback that faded quickly into history books, its lack of success blamed in some quarters on Lynne's reluctance to tour. If Jeff didn't want to hit the road, his old bandmate Bev Bevan had no problem constituting a lineup and touring under the name ELO Part II, whose presence somewhat explains why Alone in the Universe is credited to the somewhat convoluted Jeff Lynne's ELO – a truncation of the band's full name that also assigns credit where it's due, as most listeners associate this majestic post-Abbey Road pop with Lynne alone.
We've had the glitzy Hollywood shindig but now it's time for the UK premiere of Star Wars: The Force Awakens.