Stave Hillage

A brilliant vintage live performance from Gong guitar guru and one of the most innovative guitarists of his era, Steve Hillage! Crystal clear soundboard recording that captures Hillage at the height of his powers with performances from his second solo album including a psychedelic cover of Donovan s Hurdy Gurdy Man plus the epic length Hurdy Gurdy Glissando, Lunar Musick Suite and more!…

Green is the fourth studio album by British progressive rock musician Steve Hillage. It was recorded primarily in Dorking, Surrey, and in London, and was produced and engineered by Nick Mason, of Pink Floyd fame. The album entered the UK charts on 29 April 1978, where it stayed for 8 weeks, hitting a peak of number 30.

On Steve Hillage's 1978 release Green, the underground prog rock fan favorite issues more of his trademark thinking-man's music. Fans of mid- to late-'70s Pink Floyd will want to check this album out, since it possesses many of the same musical qualities, due to the fact that it was produced by Floyd drummer Nick Mason, along with Hillage…

1977 Live Rockpalast Recording by Steve Hillage on CD/DVD. It was the year 1975 when Steve Hillage decided to turn his back on the sometimes slightly quirky but very successful psychedelic spacerock formation Gong, to say goodbye to his teacher Daevid Allen (who also left the band) and to take care of his own career from then on.

On Steve Hillage's 1978 release Green, the underground prog rock fan favorite issues more of his trademark thinking-man's music. Fans of mid- to late-'70s Pink Floyd will want to check this album out, since it possesses many of the same musical qualities, due to the fact that it was produced by Floyd drummer Nick Mason, along with Hillage. Although not as consistent as some of his other albums, it certainly has its moments. Hillage's recurring sci-fi influence is still felt in his music, especially on such tracks as "Sea Nature," "UFO Over Paris," and "Unidentified (Flying Being)." Hillage uses the same band that appeared on his Motivation Radio album, which helps make Hillage's twisted songs even better (like his other albums, the musicianship is top-notch). Besides comparisons to Floyd, the album's music is also similar to David Bowie's late-'70s experimental electronic phase (check out the track "Crystal City," with vocals almost identical to Bowie). Hillage fans will definitely not be disappointed with Green.

For to Next followed Steve Hillage's last effort by a few years, and during the interim the evolving synth/new wave scene seems to have captured his imagination. For all intents and purposes a collaboration with keyboardist Miquette Giraudy, the album features relatively light and bouncy synthesizers augmented by Hillage's sometimes spacy guitar solos and sleepy vocals. Gone is Hillage's upbeat mysticism, replaced by the fashionably bleak outlook popularized by synth rock acts like Ultravox, Visage, and Gary Numan. Thus the mix of ingratiating melodies (always a Hillage hallmark) and a sense of social malaise on tracks like "These Uncharted Lands," "Anthems for the Blind," "Glory," and "Bright Future." It's a setting that keeps Hillage's talents too confined, especially for someone whose natural milieu is the unbounded aether of cosmic consciousness exemplified on albums like Motivation Radio and Green…

A highly skilled guitarist known for his fluid, effects-heavy playing, British musician Steve Hillage has collaborated with countless musicians and influenced several genres over the course of his lengthy career, particularly space rock, prog, ambient, and techno. Initially associated with the Canterbury Scene during the late '60s and early '70s, Hillage played in groups such as Uriel and Khan before becoming a key member of psychedelic cult favorites Gong during the '70s. He launched his solo career with the ambitious 1975 prog rock suite Fish Rising.