Stefan Schubert

20 years ago, at the beginning of his career, the young baritone Bo Skovhus made his first recording of Schubert’s “Schöne Müllerin”. Now, as a famous opera and Lied interpreter he presents a new production of all 3 Schubert Cycles: “I’m very thankful to do this again. As a young men you do not reflect so much what happen. Now, when I’m older, I understand much more about. Especially for this cycle it’s important to have another point of view.” (Bo Skovhus) Stefan Vladar, the famous Viennese pianist and his partner on the piano, shows us the virtuosity of the piano part in a new different light.

Schubert set the poetry of over 115 writers to music. He selected poems from classical Greece, the Middle Ages and the Renaissance, from eighteenth-century German authors, early Romantics, Biedermeier poets, and Heine. The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to the Bärenreiter’s Neue Schubert-Ausgabe (New Schubert Edition), Tübingen, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team. For the first time, the listener and interested reader can follow Schubert’s textual alterations and can appreciate the importance the written word had for the composer.

Schubert set the poetry of over 115 writers to music. He selected poems from classical Greece, the Middle Ages and the Renaissance, from eighteenth-century German authors, early Romantics, Biedermeier poets, and Heine. The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to the Bärenreiter’s Neue Schubert-Ausgabe (New Schubert Edition), Tübingen, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team.

Founded by the late, great conductor Nikolaus Harnoncourt in 1953, Concentus Musicus Wien was one of the very first period-instrument orchestras, its recordings of baroque and classical masterworks setting benchmarks for their sheer energy and spirit. Today, the orchestra continues that powerful legacy under the baton of Austrian conductor Stefan Gottfried, whose ingenious programme here invites us to make musical links between Schubert and the earlier Haydn. On the surface, Schubert’s youthful Symphony No. 5, completed in 1816, owes a clear debt to Beethoven. But listen to Haydn’s sophisticated Symphony No. 99, the first of his second series of “London symphonies”, and you can hear that same charm and boisterous exuberance shining through in Schubert’s later work. The performances, captured live at Vienna’s famous Musikverein, are a pure joy.

This is a beautiful, heartwarming record. Schubert's part-songs, originally written for friendly gatherings at home, have never received the recognition they deserve, perhaps partly because he himself underrated them. Yet their extraordinary variety of mood, character, and texture, (often within a single song) and the inspired melodies, harmonic surprises, and magical modulations, are vintage Schubert.

A prestigious project: the recording of the complete string quartets of Franz Schubert, by the German Diogenes Quartet. Volume 1 offers one masterpiece, the famous Rosamunde Quartet in A minor, and the early quartet in D major D94. Schubert’s String Quartets count among the most frequently performed quartets of the repertoire (only rivalled by Beethoven). These works express Schubert’s superb gift as a melodist within the classical structure of a string quartet, unique creations of romantic content and classical form.

Schubert set the poetry of over 115 writers to music. He selected poems from classical Greece, the Middle Ages and the Renaissance, from eighteenth-century German authors, early Romantics, Biedermeier poets, and Heine. The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to the Bärenreiter’s Neue Schubert-Ausgabe (New Schubert Edition), Tübingen, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team.