Stefany Kyler One Last Time Pdf

"Last Time I Saw Him" is a 1973 album released by American singer Diana Ross on the Motown Records. It reached #52 in the USA (#12 R&B) and sold over 200,000 copies. It also helped Ross win the 1974 American Music Award for Favorite R&B Female. The arrangements were by Gene Page, Michael Omartian, Tom Baird, David Blumberg, Bob Gaudio, James Carmichael and Paul Riser. Harry Langdon was credited with the cover photography. The album yielded the title track single "Last Time I Saw Him", a multi-format hit that reached #1 (for three weeks) on the Billboard Hot Adult Contemporary, #14 on the Hot 100, and #15 on the Hot Soul singles. It peaked at #9 Pop on the Top 100 lists for both Cashbox and Record World, as well as #10 in Radio & Records. It also reached #35 in the United Kingdom.

In 2019, the 'James Last Album Collection' was a huge success that sold out almost immediately. Now, Polydor has gone above and beyond to collect another vast treasure trove of classic James Last albums, all highly anticipated by fans worldwide. The legendary 'Non Stop Dancing' albums were the most successful LP series for James Last and the Polydor label: fantastic dance music, decades-worth of greatest hits from then-current charts, with happy party noises to get even the dullest parties started. Most of these albums were never released digitally or on CD and make their long-awaited premiere on this complete box set. Featuring no less than 34 albums recorded from 1965 to 2002, this historic set makes an unparalleled 'pop history,' covering classic hits from all phases of pop music, including Beat and Rock 'n' Roll, Funk and Rock to Soul and Disco.

THE FIRST TIME…FOR THE LAST TIME is collection of demos a then-unknown Shania Twain recorded in the late 1980s and early 1990s for Canadian label Limelight Records. Written in collaboration with Los Angeles producer Paul Sabu, the songs here are not country music, but rather well-crafted, energetically performed pop/rock fare. Though the production is often dated (particularly on the cruise-ship-dance-party-sounding “For the Love of Him” and the Laura Branigan-esque “It’s Alright), the tracks definitely offer repeated glimpses of Twain’s superstar potential. There are even a few country-tinged numbers (“Bite My Lip,” “Luv Eyes”) that presage Twain and Mutt Lange’s multi-platinum Nashville/arena rock hybrids. Though recordings contained herein have been made available in several other forms, this package goes the extra mile by offering both the original recordings and significantly re-mixed/remastered versions on two different discs.