Stella Nicky Hind

This collection of music for guitar, brought together by Jose Luis Bieito as the musical element of his music+image binomis, Reflections, possesses a delightful balance of sounds. These are flowing, pulsing, mostly gentle sounds that tend to soothe and calm the listener's mind. Sounds that - through a variety of compositional techniques - tend to be sustained in time; the effects of which can sometimes capture a listener’s attention, holding it inside an extended musical moment, like a spell. When heard while viewing the accompanying (provocative, sometimes disturbing) images, the sounds can serve an additional function: grounding the listener's reaction, enabling the passage of emotion; like electricity discharging through a lightening rod.

The London Sinfonietta combine two works from Thomas Adès, one of the most distinctive and popular voices in modern composition. Both works feature accompanying films (by Tal Rosner and Sophie Clements) that are included in this CD/DVD set. 'In Seven Days' is a musical interpretation for piano and orchestra of the biblical ‘creation’ by Thomas Adès, composed in collaboration with a film-piece by the artist and filmmaker Tal Rosner. B

The conductor and composer Robert HP Platz was born in Baden-Baden in 1951. His musical mentor and teacher was Karlheinz Stockhausen. Robert Platz was the founder of the Ensemble Koln and was its leader for over 20 years. Rolf Hind had appeared at all the major contemporary music festivals, including Huddersfield and Brighton, and has earned himself the reputation of one of the foremost interpreters of new music.

The conductor and composer Robert HP Platz was born in Baden-Baden in 1951. His musical mentor and teacher was Karlheinz Stockhausen. Robert Platz was the founder of the Ensemble Koln and was its leader for over 20 years. Rolf Hind had appeared at all the major contemporary music festivals, including Huddersfield and Brighton, and has earned himself the reputation of one of the foremost interpreters of new music.

Guitarist Skopelitis' dustpan approach to world music sweeps various ethnic instrumental grit and grime into the whirling blades of co-producer Bill Laswell's shop-vac. Contributing to the unholy mess are Foday Musa Suso on kora, oudist/violinist Simon Shaheen, gospel organist Amina Claudine Myers, percussionists Zakir Hussain, Aiyb Dieng and Guilherme Franco, drummer Jaki Liebezeit, bassists Bill Laswell and Jah Wobble, and, consistently providing the most bracing moments, Bachir Attar (leader of the Master Musicians of Jajouka) raising hell on the plague-of-locusts vernacular oboe, the rhaita. When Ekstasis's free-floating anxiety is at its peak, it could almost be the disc that Can fans have been waiting for since Ege Bamyasi.

Christopher Glynn continues his series of Schubert in English releases with a new recording of ‘The Fair Maid of the Mill’ (Die schöne Müllerin) with acclaimed Scottish tenor Nicky Spence. Set to a new translation by writer and director Jeremy Sams, Willhelm Müller’s direct and emotionally-charged poetry became the basis of Schubert’s first cycle to tell a complete story over the course of its 20 songs. Nicky Spence is one of Scotland’s proudest sons and his unique skills as a singing actor and the rare honesty of his musicianship have earned him a place at the top of the classical music profession. Nicky won a record contract with Decca records while still studying at the Guildhall School of Music and Drama and then took a place as an inaugural Harewood Artist at the ENO. Christopher Glynn is a Grammy award-winning pianist, praised for his ‘breathtaking sensitivity’ (Gramophone), ‘irre- pressible energy, wit and finesse’ (The Guardian) and ‘perfect fusion of voice and piano’ (BBC Music Magazine). He is also Artistic Director of the Ryedale Festival, where he has been praised as a ‘visionary’ and ‘inspired programmer’ (The Times).

Folk Songs from the Eastern Counties is is the third in a series of four albums recording all 81 of the folk songs in English that Ralph Vaughan Williams arranged for voice and piano or violin. 57 of the 81 songs have not previously been recorded in these arrangements.