Stephane Wrembel Django New Orleans

Jazz at Preservation Hall: The Eureka Brass Band features New Orleans street parade jazz with bristling horns, sousaphone, and two marching drummers. Trumpeter Percy Humphrey leads an ensemble notable for the presence of saxophonist Emanuel Paul and Percy's brother, Willie, who blows some of the best clarinet he ever recorded. What makes this an unforgettable listening experience is the dual trombone action supplied by Albert Warner and Oscar "Chicken" Henry. Tailgate trombone is almost always fun, but these two seem to have discovered some sort of harmonic convergence, as two trombones, in unison glissando with a slight burr, deliver an almost intoxicating thrill. The best example of this effect occurs in "Take Your Burden to the Lord," while "Panama" allows the 'bones to interact with the saxophone in marvelous ways. A gem of an album, certainly among the finest extant examples of classic Crescent City jazz as played in the early '60s.

Why so much of what pianist/vocalist James Booker recorded in the 1970s didn't surface until the '90s is a mystery, but that's secondary compared to the greatness routinely presented on this CD. It contains nine Booker selections that he performed at the 1977 Boogie Woogie & Ragtime Piano Contest held in Zurich. His relentless, driving style, ability to switch from a hard-hitting tune to a light, soft one without skipping a beat, and his wild mix of sizzling keyboard licks and bemused, manic vocals are uniformly impressive. Piano Wizard a bit short for a CD at 37 minutes, but it has so much flamboyant music and singing that it shouldn't be missed.

Jazz at Preservation Hall: The Eureka Brass Band features New Orleans street parade jazz with bristling horns, sousaphone, and two marching drummers. Trumpeter Percy Humphrey leads an ensemble notable for the presence of saxophonist Emanuel Paul and Percy's brother, Willie, who blows some of the best clarinet he ever recorded. What makes this an unforgettable listening experience is the dual trombone action supplied by Albert Warner and Oscar "Chicken" Henry. Tailgate trombone is almost always fun, but these two seem to have discovered some sort of harmonic convergence, as two trombones, in unison glissando with a slight burr, deliver an almost intoxicating thrill. The best example of this effect occurs in "Take Your Burden to the Lord," while "Panama" allows the 'bones to interact with the saxophone in marvelous ways. A gem of an album, certainly among the finest extant examples of classic Crescent City jazz as played in the early '60s.

The New Orleans barrelhouse boogie piano specialist's earliest sides for OKeh, dating from 1940-1941 and in a few cases sporting some fairly groundbreaking electric guitar runs by Jesse Ellery. Dupree rocks the house like it's a decade later on two takes of "Cabbage Greens" and "Dupree Shake Dance," while his drug-oriented "Junker Blues" was later cleaned up a bit by a chubby newcomer named Fats Domino for his debut hit 78 "The Fat Man."