Steve Black

Steve Tibbetts is the thinking-man's guitar player whose music spans a host of influences – folk, jazz, rock, ethnic, modern classical – without being bound by any of them. Opening with a tabla-driven folksy cover of Led Zeppelin's "Black Mountain Slide," the album leads us through a collection of original pieces written by Tibbetts and his band members that are full of rich tone colors and inventive rhythms. His main instrument is acoustic guitar, but he also uses guitar synth, dobro, kalimba and something called a pianolin, while his colleagues add tabla, cello, steel drums and assorted percussion.

For all the agony as to the status of classical music in the modern musical landscape, the three 20th century string quartets on this fine French release can be said to have entered the repertory, with a reach that extends far beyond the U.S. They go quite well together, which is the first point in favor of France's Quatuor Diotima here; both Steve Reich's Different Trains, for string quartet and tape, and George Crumb's Black Angels for electric quartet feature an artificially enhanced string quartet, and even Samuel Barber elected to "enhance" his String Quartet in B minor, Op. 11, by orchestrating its central movement and making it into the famous Adagio for strings. Highly recommended.

The concept of this album is about the relation between human and the Wolf. Also important is the hours before dawn, because it's the time that the wolf are hunting and that Steve Hackett like to write his songs. It's a unique time to let things comes naturally without any distractions…

Ten songs totalling 30 minutes of music from the eve of Steve Howe's emergence as one of the world's most famous guitar players. The singing isn't much, and the songwriting (apart from the excellent "Black Leather Gloves," written by Clive Skinner, and the group composed "Tired Towers") lacks some lyricism and tunefulness, but Howe's playing is filled with virtuoso melodic flourishes that almost make up for this shortcoming. His guitar carries songs like Curtis's "I Want You," and if you close your eyes on some of the other cuts, it's easy to imagine some of his work grafted onto songs from his first two Yes albums; one can also imagine some of this as demos by Peter Banks' group Flash. But overall this CD reveals Bodast as a band that needed something distinctive besides its axeman, and didn't have it, either in its personnel or their songwriting abilities.

If you're a die-hard Steve Taylor fan from back in the day, you'll already have almost everything included in this compilation. The only previously unreleased material is a demo for a song called "Dream in Black & White" (faded after the second verse) and a medley of early demos called "Shark Sandwich"…