Steve Hackett Wolfight

Although Steve Hackett had made several albums under his own name since his departure from Genesis, 1981's Cured was the closest thing yet to a true solo Hackett album. Having disbanded the group with whom he's recorded two successful solo albums – Spectral Mornings and Defector – Steve retained only keyboard player Nick Magnus to help out on this effort. Magnus played keyboards, Hackett handled guitar and bass, and the drums were provided by a drum machine. But the most noticeable change was in the vocals…

Though you will see Till We Have Faces often mentioned as the first rock album to draw from world music influences, that's not quite true. Santana, John McLaughlin, Os Mutantes, the Police, Jade Warrior, and others were doing it long before. That said, the album was done before Paul Simon ushered it in as a trend with Graceland. Recorded in Rio de Janeiro and mixed in London, it's a step away from the progressive rock he'd become recognized for and is a mostly successful venture. A couterie of Latin percussionists flesh out the almost all Brazilian band that graces the album, adding layers of complex rhythms. These rhythms are the core of the album and make such songs as "A Doll That's Made in Japan" and "What's My Name" more exotic and interesting; they creatively juxtapose Oriental and South American styles…

In 2003, Steve Hackett met the Hungarian jazz fusion septet Djabe and contributed to their album Táncolnak A Kazlak. They got on so well that they played shows together whenever possible. In 2016, Djabe and Hackett got together for improvised recording sessions in the parsonage of a Sardinian cathedral. The flow of ideas and easy rapport netted the widely celebrated Life Is a Journey: The Sardinia Tapes. A year later, the guitarist and band took the material on tour, resulting in the document Life Is a Journey: The Budapest Live Tapes. Djabe returned to the same spot earlier in 2019, without Hackett; his touring schedule wouldn’t allow him to participate live.

The Night Siren is the twenty-fifth studio album from English guitarist Steve Hackett, released on 24 March 2017 by Inside Out Music. The album was recorded within one year. Hackett explained that his writing comes from a three-person team of himself, his wife Jo, and his keyboardist and co-producer Roger King, with Hackett discussing and exchanging initial music and lyric ideas with the other two. When an idea is settled upon, music would be sent to the other performers or Hackett would travel to them and have their parts recorded on location. Hackett recorded the album by means of recording straight to a computer, rather than recording from an amplifier as he likes "to be able to have a conversation over the top of it and it can still sound very heavy". By connecting his amplifier and pedal board to the computer, Hackett experiments by "trying as many different setups and sounds as possible".

The concept of this album is about the relation between human and the Wolf. Also important is the hours before dawn, because it's the time that the wolf are hunting and that Steve Hackett like to write his songs. It's a unique time to let things comes naturally without any distractions…

Tracks taken from his albums 'Bay Of Kings' and 'Genesis Revisited' with members of King Crimson, Yes, Asia and The Zombies assisting. There is nothing older than two pieces from '83 acoustic guitar album Bay of Kings (except 'Horizons' from it appeared originally in Foxtrot, and 'Steppes' from Tokyo Tapes live album in Defector '80). Each song is served with liner notes and thus clearing the 'Genesis' concept also in tracks that at first seem to have nothing to do with it. Two instrumental tracks from '99 Darktown? As well or better could have been some (new versions perhaps) from earliest solo albums that are closer in style to Genesis. But this kind of limited compiling principle suits well. The sense of compilation is almost absent if you haven't heard all the source albums. It's principally just an extended version of "Watcher of the Skies - Genesis Revisited" (96) and it works as that.

Out of the Tunnel's Mouth is the 20th studio album by musician Steve Hackett. It is his first album on his new label Wolfwork after leaving his previous label Camino. The album was announced on 30 October 2009 for sale via his website and live shows…

Djabe & Steve Hackett line-up made up for the 2020 and 2021 tour postponed due to Covid in 2022. The musicians eagerly awaited to make music together, so on the tour the band was very much together and gave their best performances of all time. At the final stop of the tour, the band also recorded a video, the post-production of which, as usual, was done by Tamás Barabás and Attila Égerházi. The concert, which can be found on Blu-ray, includes several tracks performed live for the first time. Examples include Lake By The Sea from the Back To Sardinia album, the rock band version of Ace Of Wands from the Voyage Of The Acolyte album, or the Gyor Blues compositions. There are several live versions of Steve Hackett and Djabe compositions previously not released on a Djabe & Steve Hackett live albums. Songs like The Steppes, Witchi Tai To, Gyor and Power Of Wings.