Steve Kuhn & Sheila Jordan Band Playground 1980 [ecm 1159]

This collection brings together three much sought-after recordings by Steve Kuhn: the solo piano album “Ecstasy” (recorded 1974), and two quartet albums. “Motility” (1977) features the band of the same name with saxophonist Steve Slagle in the front line, while “Playground” (1979) is the album that introduced the Steve Kuhn-Sheila Jordan Quartet. Singer Jordan is of course one of the great jazz vocalists, and this was an inspired teaming. Kuhn himself is a superlative pianist of vast gifts; each of these recordings illuminates another aspect of his work. Of these three discs only “Ecstasy” was previously available on compact disc, and then only in Japan. “Motility” and “Playground” here receive their first CD releases.

Kuhn is a jazz pianist whose recordings may have been out of the jazz mainstream for most of the five decades his career has spanned, but it hardly matters. Kuhn's style is signature, though his explorations have taken him to many different terrains in the world of jazz, from knotty post-bop to pointillism and modalism and through the nefarious world of 20th century vanguard composition to the place where listeners find him now: the place of a supreme and unabashed lyricism that is as sophisticated and forward-looking as it is historical and inclusive.

In a blindfold test it would be easy to identify pianist Steve Kuhn's CD as a stereotypical ECM recording. With its emphasis on space, rather slow development and occasional repetition, the performances of Kuhn, bassist David Finck and drummer Joey Baron (all but one of the 11 pieces are Kuhn originals) only occasionally rise above the level of background music. There are some heated moments on the sixth song ("All the Rest Is the Same") and the tenth ("Bittersweet Passages") but most of this set is rather sleepy and melancholy, not living up to the potential of these talented musicians.

This 1997 concert marked the first time that vocalist Sheila Jordan and bassist Cameron Brown had performed live as a duo. Nerves aside, they had their Belgian audience captivated from the opening of the set. Jordan improvises much like a horn with her interesting choices of notes as she sings the lyrics to standards like "The Very Thought of You," while Brown is also a superb musician, comping perfectly for her and launching on inventive solo flights of his own.