Steve Warner Aact Algebra

Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records – The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be – a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss like Mitch Miller, who struggled to keep CBS out of the tumult of the '60s (this with no less than Bob Dylan as the label's flagship rock artist). Instead, Warner embraced the underground, recording some of the strangest to shake out of the '60s, and that adventure fits a label that turned to rock & roll to help establish themselves as a real player at the turn of the '60s.

Steve Martin - Steve In A Box – 4CD Box Set spanning from "Let's Get Small" to "The Steve Martin Brothers," highlights his unique style of absurdist humor, physical comedy, and witty banter. Including liner notes by Kliph Nesteroff, each album features iconic routines and catchphrases that helped establish his status as a comedy legend, while "The Steve Martin Brothers" also showcases his musical talent with bluegrass banjo performances. Overall, these albums demonstrate Martin's versatility and influence in the world of comedy.

Faces are an English rock band formed in 1969 by members of Small Faces after Steve Marriott left that group to form Humble Pie. The remaining Small Faces - Ian McLagan (keyboards), Ronnie Lane (bass), and Kenney Jones (drums & percussion) - were joined by Ronnie Wood (guitar) and Rod Stewart (lead vocals), both from The Jeff Beck Group, and the new line-up was renamed Faces. Faces released four studio albums and toured regularly until the autumn of 1975, although Stewart simultaneously pursued a solo recording career, and during the band's final year Wood also toured with The Rolling Stones, whom he later joined.

This is an album discography for when California band The Muffs were signed to Reprise and Warner Bros. Records between 1993 and 1997. They were signed for three albums before they were let go. This consists of the album The Muffs, Blonder And Blonder and Happy Birthday To Me. This also includes two promotional singles ("Big Mouth" and "Everywhere I Go") Reprise Records released for their debut album.

One of the most celebrated singer/songwriters of his generation, Steve Earle first won an audience as a country artist, though it didn't take long for him to demonstrate that designation was too narrow for him. Earle's music runs the gamut from country (1986's Guitar Town), bluegrass (1999's The Mountain), and rock (1988's Copperhead Road) to folk (2007's Washington Square Serenade, and blues (2015's Terraplane).