The obscure British band Still Life released a self-titled album on Vertigo in the early '70s. The record was early organ-dominated progressive rock, its lyrical themes dwelling upon uneasy doubt and sadness, the melodies colored with the gothic classicism prevalent in much of the genre during the period. "People in Black," "Don't Go," "Witches," "Love Song No. 6 (I'll Never Love You Girl)," "Dreams," "Time" – the titles of Still Life's only album alone indicate that these fellows were both morbid and ambitious. As happens so often when musicians set out to conquer such big issues, the music's not as illuminating as the intentions.