Sting Soul Cages

Emboldened by the enthusiastic response to the muted Nothing Like the Sun and reeling from the loss of his parents, Sting constructed The Soul Cages as a hushed mediation on mortality, loss, grief, and father/son relationships (the album is dedicated, in part, to his father; its predecessor was dedicated to his mother). Using the same basic band as Nothing Like the Sun, the album has the same supple, luxurious tone, stretching out leisurely over nine tracks, almost all of them layered mid-tempo tunes (the exception being grinding guitars of the title track). Within this setting, Sting hits a few remarkable peaks, such as the elegant waltz "Mad About You" and "All This Time," a deceptively skipping pop tune that hides a moving tribute to his father.

Emboldened by the enthusiastic response to the muted Nothing Like the Sun and reeling from the loss of his parents, Sting constructed The Soul Cages as a hushed mediation on mortality, loss, grief, and father/son relationships (the album is dedicated, in part, to his father; its predecessor was dedicated to his mother)…

The Soul Cages is the third full-length studio album released by Sting and the first to feature longtime guitarist Dominic Miller. Released in 1991, it became his second No. 1 album in the United Kingdom. It spawned four singles: "All This Time", "Mad About You", "Why Should I Cry for You" and "The Soul Cages". The title track won Sting the first Grammy Award for Best Rock Song in 1992.

Sting are reissuing 8 of their classic albums on vinyl!
Reeling from the loss of his parents, Sting constructed The Soul Cages as a hushed mediation on mortality, loss, grief, and father/son relationships. The set is packaged in an exact replica of the original artwork, on 180 gram heavyweight vinyl. The new vinyl master was cut at the legendary Abbey Road studios to ensure exceptional audio quality.

Emboldened by the enthusiastic response to the muted Nothing Like the Sun and reeling from the loss of his parents, Sting constructed The Soul Cages as a hushed mediation on mortality, loss, grief, and father/son relationships (the album is dedicated, in part, to his father; its predecessor was dedicated to his mother)…

The Studio Collection vinyl LP box set featuring all of Sting's solo studio albums on A&M Records in one collection for the very first time. Included are eight studio albums across eleven 180-gram heavyweight vinyl LPs in exact replicas of the original release artwork plus two albums that are previously unreleased on vinyl namely Brand New Day and Sacred Love all housed in a high-quality two-part slipcase box package. New vinyl masters for all were cut at the legendary Abbey Road studios to ensure exceptional audio quality throughout.

The Studio Collection vinyl LP box set featuring all of Sting's solo studio albums on A&M Records in one collection for the very first time. Included are eight studio albums across eleven 180-gram heavyweight vinyl LPs in exact replicas of the original release artwork plus two albums that are previously unreleased on vinyl namely Brand New Day and Sacred Love all housed in a high-quality two-part slipcase box package. New vinyl masters for all were cut at the legendary Abbey Road studios to ensure exceptional audio quality throughout.

Falling somewhere between the pop sensibilities of Ten Summoner's Tales and the searching ambition of The Soul Cages, Mercury Falling is one of Sting's tighter records, even if it fails to compel as much as his previous solo albums. Though he doesn't flaunt his jazz aspirations as he did in the mid-'80s, Mercury Falling feels more serious than The Dream of the Blue Turtles, primarily because of its reserved, high-class production and execution. Building from surprisingly simple, memorable melodies, Sting creates multi-layered, vaguely soul-influenced arrangements that carry all of the hallmarks of someone who has studied music, not lived it.

Falling somewhere between the pop sensibilities of Ten Summoner's Tales and the searching ambition of The Soul Cages, Mercury Falling is one of Sting's tighter records, even if it fails to compel as much as his previous solo albums. Though he doesn't flaunt his jazz aspirations as he did in the mid-'80s, Mercury Falling feels more serious than The Dream of the Blue Turtles, primarily because of its reserved, high-class production and execution. Building from surprisingly simple, memorable melodies, Sting creates multi-layered, vaguely soul-influenced arrangements that carry all of the hallmarks of someone who has studied music, not lived it.

Ten Summoner's Tales is the fourth solo studio album by the English rock musician Sting. The title is a combined pun of his family name, Sumner, and a character in Geoffrey Chaucer's The Canterbury Tales, the summoner. Released in 1993, it explores themes of love and morality in a noticeably upbeat mood compared to his previous release, the introspective The Soul Cages released in 1991 after the loss of both his parents in the 1980s. This album contained two US hits; "If I Ever Lose My Faith in You" reached No. 17 on the Billboard Hot 100 and "Fields of Gold" reached #23. Ten Summoner's Tales was shortlisted for the 1993 Mercury Prize. In 1994, it was nominated for six Grammy awards, winning Best Engineered Album, Non-Classical, Best Male Pop Vocal Performance ("If I Ever Lose My Faith in You") and Best Long Form Music Video. It did not win Album of the Year, Record or Song of the Year.