This huge set is "an initiative of Radio Netherlands (the Dutch World Service) and the Royal Concertgebouw Orchestra…" presented to Bernard Haitink on his seventieth birthday as a tribute to his consummate musicmaking." Haitink, born in Amsterdam in 1929, became joint chief Conductor of the Concertebouw in 1961, along with Eugen Jochum, and was its chief conductor from 1963 to 1988. Like his predecessor, Eduard van Beinum, Haitink also was principal conductor of the London Philharmonic Orchestra, from 1967 to 1979, and in 1978 became musical Director of the Glyndebourne Opera. Ten years later he became musical director of the Royal Opera House Covent Garden. Haitink guest conducted most of the major orchestras of the world and has received numerous awards for his services to music. In January 1999 Haitink was named "Honorary Conductor of the Royal Concertgebouw Orchestra."
Just three months before his death, pianist BIll Evans was extensively recorded at the Village Vanguard. Originally, one or two LPs were to be released featuring his brilliant new trio (with bassist Marc Johnson and drummer Joe LaBarbera), but after the innovative pianist's death, the project was stalled for over 15 years. Finally, when Warner Bros. got around to it, a definitive six-CD box set was released (although unfortunately in limited-edition form). Evans sounded quite energized during his last year, Johnson was developing quickly as both an accompanist and a soloist, and the interplay by the trio members (with subtle support from LaBarbera) sometimes bordered on the telepathic. The playing throughout these consistently inventive performances ranks up there with the Evans-Scott LaFaro-Paul Motian trio of 20 years earlier.
The Karajan Official Remastered Edition comprises 101 CDs across 13 box sets containing official remasterings of the finest recordings the Austrian conductor made for EMI between 1946 and 1984, and which are now a jewel of the Warner Classics catalogue.
For many, Herbert von Karajan (1908-1989) – hailed early in his career as ‘Das Wunder Karajan’ (The Karajan Miracle) and known in the early 1960s as ‘the music director of Europe’ – remains the ultimate embodiment of the maestro.
These 12 full-length CDs document the Vandermark 5 playing at Alchemia, a major nightclub in Kraków, Poland, for a period of five evenings in March 2005. Over the course of well more than 12 hours of music, the quintet solidifies its reputation as one of the most innovative and exciting jazz groups of its time, as magic fills the air every night. It is difficult to imagine a more compelling set of modern jazz. The invigorated Polish audience welcomed the group enthusiastically, and the musicians responded with thrilling performances that summarize the state of the band, which was in peak form, and suggest the directions in which jazz is heading as a creative force. This is difficult music to categorize, if only because it relies on traditional concepts of melody and improvisation, but pushes hard to stretch and twist the limits of propriety. The box set is marvelously packaged, with a splendid booklet featuring an extensive interview with Ken Vandermark, and numerous photos in color and black-and-white.