The source for the songs on this release is a manuscript in the library of Christ Church College, Oxford. Its title page bears the following: “Musica del Signor Angelo Micheli/ Uno de Musici della Capella / de Reyna di Swecia / Uppsaliae Martii 21 / 1653 / a 2 et 3 voce.” The mystery of how a collection of Italian secular songs of the mid 16th century was compiled in Sweden and ended up in England is, fortunately, relatively easy to solve. In 1651, Queen Christiana requested that the bass Alessandro Cecconi put together a company of Italian musicians to reside at the Swedish court.
Compared with J.S. Bach’s production of church music his secular vocal works occupy a modest place in his output: today we know of the existence of some fifty secular cantatas, but only about half of these have survived in performable condition. They were occasional pieces, tailored especially to the situation that engendered them. Unlike the church cantatas they could therefore not be performed again in unaltered form, and were thus of little practical interest for Bach’s heirs. The earliest surviving secular cantata is the ‘Hunt’ Cantata, composed in 1713 in Weimar for the birthday of Duke Christian of Sachsen-Weißenfels.
Featuring an all-star eclectic ensemble of like-minded musicians–Jesse Sykes (acoustic guitar, vocals); Dave Alvin (electric guitar); Victor Krummenacher (bass guitar); David Immerglück (guitar/harmonium/mellotron); and Michael Jerome (drums/percussion)– The Third Mind 2, this supergroup's second album, reflects the band members varied musical histories with a “no safety parachute” recording approach using free-form studio techniques, no rehearsals, no preconceived arrangements, and recording spontaneous group improvisations live in studio.