Stylemagic YA

Academy of Ancient Music (AAM) continues an acclaimed project to record Mozart’s complete works for keyboard and orchestra, with this eleventh volume of the series. Renowned pianists Robert Levin and Ya-Fei Chuang join Laurence Cummings and AAM to present Mozart’s Concertos Nos. 7 and 10, the former of which is recorded here in Mozart’s own arrangement for two pianos. Also included is the Concerto Movement for Piano, Violin, and Orchestra, completed by Robert Levin.

Academy of Ancient Music (AAM) releases the penultimate volume of an acclaimed project to record Mozart’s complete works for keyboard and orchestra. This volume includes Mozart’s Concerto No. 7 for Three Pianos and Orchestra, performed here uniquely on three different types of keyboard instruments: by Robert Levin (tangent piano), Ya-Fei Chuang (fortepiano) and Laurence Cummings (harpsichord). It follows the release of the same concerto in Mozart’s own arrangement for two keyboards (Vol. 11) and is joined on this album by two other Piano Concertos composed in Salzburg in the early months of 1776.

Considering that guitarist Doc Powell's Laid Back album was one of 1996's biggest airplay hits in the genre, and was about as smooth as soul- flavored pop-jazz gets, it seems bold to go the tongue and cheek route and call his latest, Don't Let the Smooth Jazz Fool Ya. Is he promising us something a bit edgier, funkier, in your face? He gets off to a good start with a slamming take on the normally staid, "Chariots of Fire," based on Ernie Watts' version and featuring the potent electric guitar/sax synergy of Powell and Dave Koz over a pulsating groove laid by bassist Sekou Bunch, drummer Michael White and percussionist Munyungo Jackson. He hits the mid-tempo funk mark on the bluesy breezes of the synth-horn splashed "Good Intentions" and "Here's To You," which features Powell in synch with Everette Harp's sax and a short but luscious Bobby Lyle piano solo.