One of the towering figures of 20th century's music, Alabama-born pianist and organist Herman "Sun Ra" Blount (1914) became the cosmic musician par excellence. Despite dressing in extraterrestrial costumes (but inspired by the pharaohs of ancient Egypt) and despite living inside a self-crafted sci-fi mythology (he always maintained that he was from Saturn, and no biographer conclusively proved his birth date) and despite littering his music with lyrics inspired to a self-penned spiritual philosophy (he never engaged in sexual relationships apparently because he considered himself an angel), Sun Ra created one of the most original styles of music thanks to a chronic disrespect for both established dogmas and trendy movements.
These two discs from Sun Ra and his Solar Myth Arkestra are not, as their title suggests, parts of a singular or continuous work. They were initially issued as two separate titles – similar to the two-part Heliocentric Worlds of Sun Ra – by the Belgian BYG Actuel label in 1971. Both volumes consist of mid-fidelity and primarily self-realized and -produced recordings. Despite the claim that these sides were taped in New York City at Sun Studios, Ra discographer Robert L. Campbell notes that by the time these tracks were documented, the Arkestra had ended its N.Y.C. residency and returned to Philadelphia.
Sun Ra is best known for the extensive archive of recordings he made with his Arkestra, and most Ra enthusiasts are probably first attracted to his work by the sui generis imagination he brought to arranging for large ensembles. These span the recalibrated swing-band tropes of Jazz In Silhouette (Saturn, 1959), a perfect choice for an advanced-level Blindfold Test, through off-planet takes on exotica such as those compiled on the previously reviewed Exotica (Modern Harmonic, 2018), and on to such spectacularly experimental albums as The Heliocentric Worlds Of Sun Ra Vol. 1 (ESP, 1965).