Sunao Wada Coco's Blues

Sunao Wada, Ushio Sakai, George Otsuka - Blues For Bird (1975) {Three Blind Mice TBM CD 1849 rel 2000}
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© 1975, 2000 Three Blind Mice | TBM CD 1849
Jazz / Post Bop / Contemporary Jazz / Soul Jazz

This is an excellent record of Sunao Wada (g) feat. Hitomi Ueda (vo), Ushio Sakai (org), Yoshio Ohtomo (as), George Otsuka (ds), Mitsuaki Furuno (b), Takao Uematsu (ts) & more. "Blues for bird" is an amazing TBM (Three Blind Muce) CD. This album records many splendid songs … In particular Charlie Parker's cover "Now's the time" is very groovy Japanese Jazz. This is a Japanese Jazz classics.

Isao Suzuki & Sunao Wada - Now's The Time (1974) {2014 Japan Three Blind Mice Mini LP Blu-spec CD Remaster THCD-315}
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© 1974, 2014 Three Blind Mice / Sony Music Direct (Japan) / Think! Records | THCD-315 | LP TBM-29
Jazz / Post Bop / Contemporary Jazz

Three Blind Mice Blu-spec CD reissue series! Limited paper sleeve edition! Now's The Time captured two groups who performed at the Three Blind Mice's own jazz festival called "5 Days in Jazz 1974." The first group was the Tsuyoshi Yamamoto Trio with guest soloists Isao Suzuki on cello and Sunao Wada on guitar. They performed two songs on Side A of the original vinyl LP.

VA - The Famous Sound of Three Blind Mice Vol. 1-3 (1987-1989) {TBM Records, TBM CD 9001~03, W. Germany}
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© 1987-1989 Three Blind Mice | TBM CD 9001~03
Jazz / Post Bop / Contemporary Jazz

During the 70s, the Japanese jazz scene was in an incredibly intense phase - one that had players breaking out of older modes that were often strict copies of American jazz, and working in newer styles that often blended soul, modal, and spiritual jazz with freer-thinking ideas and more Eastern-inspired modes. The result was an incredible batch of music that was probably more strongly recorded by the Three Blind Mice label than any other Japanese imprint - because unlike some of their contemporaries, TBM didn't fill their catalog with work by American players, and often focused exclusively on Japanese artists.

Wild & greasy blues at its best, a two-song session for an anthology turned into an all-night, live-in-the-studio jam. Sounds like it was great fun.
Signing to Alligator in the mid-'80s, they released their debut album, Roughhousin', in 1986 and found themselves receiving national attention. They began playing urban clubs and festivals all over the country and eventually toured Canada, Europe, and Japan.

Sometimes the bloodlines show up and at other times they explode with a fanfare that shows itself to the world. Lil' Ed Williams traces his heritage back to his uncle, one of the Chicago blues legends, slide guitar master J.B. Hutto. He was tutored by his uncle, and the West Side Chicago blues scene that nurtured him, and readily gives J.B. much of the credit for his prowess. He captures some of that same raw street energy that was his uncle's trademark on many of the tracks on this, his fifth Alligator release. Listen to "The Creeper" to get an idea of the savage fury that he can channel through his slide guitar work. This disc manifests that feel for the blues that can't be taught, but must be both lived and seen from the inside…

Wild, raw, rough-edged Chicago slide guitar blues, this is jumpin', partyin' music in the tradition of Hound Dog Taylor and J.B. Hutto (Lil' Ed's uncle). Recorded live in the studio with no overdubs, it includes nine original compositions plus covers of Hutto and Albert Collins tunes.