Planet Supreme (Sweden) presents us his third album on Cryo Chamber, Destruction of a Star. A space ambient album with retro analogue synthesizers, acoustic guitars and a post apocalyptic atmospheres. Massive analogue walls of sounds crash over acoustic strumming and sweeping winds. Recommended for fans of Space Ambient and Analogue Synthesizer Moods.
Supreme Particles are Michael und Anna Saup, cultural newmedia artists and welcome performing on Vienna's Ars Electronica as well as on several other exhibitions. One of their latest projects was the visual and sound installation of the Lufthansa Passenger Tunnel beneath Frankfurts Rhein-Main Airport. This exeptional Elektrolux CD release features the ambient Soundtrack, constantly performed in the tunnel.
Planet Supreme (Sweden) presents us his third album on Cryo Chamber, Destruction of a Star. A space ambient album with retro analogue synthesizers, acoustic guitars and a post apocalyptic atmospheres. Massive analogue walls of sounds crash over acoustic strumming and sweeping winds. Recommended for fans of Space Ambient and Analogue Synthesizer Moods.
For Marsalis Music's second DVD release, label founder Branford Marsalis and his quartet have been captured in a complete performance of John Coltrane's 1964 masterpiece A Love Supreme. This legendary suite, which tenor saxophonist Marsalis included on his label's premier release, Footsteps of Our Fathers, was performed at Amsterdam's Bimhuis during a European tour in March 2003. “We felt that we were pretty much done with A Love Supreme when we went to Europe, but my manager wasn't done with it,” Marsalis recalls wryly. “After hearing us perform the suite at the Bottom Line, she insisted that we had to film it so she approached Pierre about the project and he agreed.”
For many a jazz fan John Coltrane's A Love Supreme is their personal desert island pick, the one recording they would not hesitate to live their days out listening to. Recorded on December 9, 1964, the session has endured as a document of the saxophonist's faith, as it was the proclamation of his rebirth from the jazz life of alcohol and substance abuse.
This limited-edition anthology spotlights an impressive four-dozen previously unissued Diana Ross & the Supremes' selections from the seemingly infinite Motown archives. Of course there have been similarly copious collections of vintage Supremes' rarities, outtakes, remixes, and the like; most notably the highly collectable 25th Anniversary (1986) and Never Before Released Masters (1987), not to mention a plethora of additional multi-artist packages and expanded editions of classic Supremes' long-players. With such a myriad of previous outlets, one could easily presume that these 48 tracks are scraping the bottom of the proverbial barrel. Luckily for aficionados and enthusiasts of Florence Ballard, Diana Ross, and Mary Wilson, there seems to be plenty of quality leftovers.