Surprieze 1973

Group from Bergen (province of North Holland). Active in the period from 1972 to 1974. The initiators of the group were brothers and Gustaaf Onno Verburg. Having signed a contract with Ariola Records, in 1972, they released their first single, "Blue Sofa / Orphan Girl". The following year, they released their self-titled album. All songs, except one, were written Gustaaf Verburg and Ide Min. After its publication it turned out that the group has composed one of the best albums of the Dutch-style progressive folk. The musical palette were used beautiful instrumental passages of acoustic guitar, violin, flute and piano. And doubtless ornament of the album was a strong and expressive vocals Maarten Min. Unfortunately, the mess in the future began to change trains. After releasing a few more singles, Mayfly disappeared from the musical horizon.

Guitarist Mike Bloomfield, blues master John Hammond, and the timeless New Orleans funk of Dr. John blend well on this one-time-only outing.
The album’s most interesting aspects derive from the mix of Chicago- and New Orleans-styles - Dr. John’s presence sort of forces some funky, Orleans-ian piano rhythm&blues into the affair, adding a heavily syncopated base to the more conventional blues patterns.

"We're the only band around that's playing rooted American music," Better Days vocalist and former folkie Geoff Muldaur told an interviewer when this album was first released in 1973, and with perhaps just a handful of exceptions he was right. The band's mix of various styles of blues, from rural (Robert Johnson), to cosmopolitan (Percy Mayfield), along with hints of New Orleans R&B, boogie woogie, and early rock and country, was tremendously out of step with the pop trends of its time.
These days, of course, there are many bands doing more or less the same thing (although rarely as well), but the fact that these guys couldn't have cared less about appearing trendy is one of the reasons why Better Days sounds timeless…

Pete Sinfield is best known for his contribution as lyricist for King Crimson and Emerson, Lake & Palmer. His solo album from 1973 was one of the earliest releases on ELP’s Manticore label and features contributions from Greg Lake, Ian Wallace, Mel Collins, John Wetton, Keith Tippett and many more luminaries. This edition adds nine previously unreleased early album mixes and two bonus tracks on an extra CD and has restored the album’s artwork in a deluxe package and is issued on the reactivated Manticore label, under an exclusive license to Cherry Red Records and overseen by the people who brought you Esoteric Recordings and Atomhenge.

Bananamour is ripe with Kevin Ayers' most mature and accessible compositions to date. Ayers grounded himself in a newly formed trio for his follow-up to Whatevershebringswesing. With bassist Archie Leggett and drummer Eddie Sparrow at the hub, Ayers selected guest artists for a handful of the tracks: Whole World colleague Dave Bedford ("Beware of the Dog"), Gong's new guitarist Steve Hillage ("Shouting in a Bucket Blues"), and former Soft Machine mates Robert Wyatt ("Hymn") and Mike Ratledge ("Interview"). "Interview" is easily one of the album's strongest, most original tunes, charged with a rugged, positively electrifying guitar sound courtesy of Ayers and psychedelic organ flourishes by Ratledge. And "Shouting in a Bucket Blues" is Ayers' inspired pop/blues groove…

Gentle Giant was reduced to a quintet on In a Glass House with the departure of elder brother Phil Shulman, but its sound is unchanged, and the group may actually be tighter without the presence of his saxophones…

Recorded at the same time (July 1972) at the same studio (Bavaria Studios, Munich) as Amon Düül II`s well known and of their best efforts 'Wolf City', Utopia was a common project by Amon Düül II producer and musician Olaf Kübler (saxophone, moog) and Düül bass player Lothar Meid. Using the synergy of the parallel sessions with the Wolf City recordings, Olaf Kübler appreciated Düüls singer Renate Knaup-Krötenschwanz as singer of 2 of the album tracks and Düül heads Weinzierl and Karrer on guitar and violin. There is also a different version of Deutsch-Nepal on the album. As Olaf Kübler reminds Deutsch-Nepal was originally planned to record only for the Utopia album. Musically Utopia has a lot in common with the Düül records 'Wolf City' and 'Viva la Trance' and slightly early Passport and Embryo influences…