Surprieze 1973

The hidden masterpiece that could rewrite Australian Progressive Rock history Aragon's "The Suite."
In 1975, a strange album that pressed only 50 copies without even an outer sleeve was released quietly. It was the only album by Snakes Alive, a band with a unique combination of guitar, drums, bass, keyboards, woodwinds and trumpet. About 25 years later, when its pirated CD was released, people were amazed at the high level of performance by unknown musicians and the complex, well-designed structure of a mix of Progressive Rock and Jazz. There are countless minor bands that have disappeared leaving only one album in the form of a private pressing, but Snakes Alive’s album was on a different level from those of mediocre minor ones. Despite this high level of musical quality, due to the very small amount of pressings, their music did not reach a larger audience and the band disappeared into history…

Vol. 1. One of the nice things about jazz is the cross-pollination of different players in multiple settings. No one would've thought of pairing swing violinist Stéphane Grappelli and bop pianist Oscar Peterson, for instance, but the match works very well. The pair have expanded into a quartet on this reissue with the aid of double bassist Niels-Henning Ørsted Pedersen and drummer Kenny Clarke. The set, recorded in 1973 in Paris, includes a handful of standards, from Pinkard/Tracey/Tauber's "Them There Eyes" to Rodgers & Hart's "Thou Swell." As one might guess, Grappelli is in his own element on upbeat, swinging pieces like "Makin' Whoopee" and "Walkin' My Baby Back Home." Peterson likewise joins in the spirit of these pieces, making them the most interesting interpretations on the album. Other material, like the lingering "Flamingo" and "My One and Only Love," are also enjoyable, but seem rather tepid in comparison…

Bananamour is ripe with Kevin Ayers' most mature and accessible compositions to date. Ayers grounded himself in a newly formed trio for his follow-up to Whatevershebringswesing. With bassist Archie Leggett and drummer Eddie Sparrow at the hub, Ayers selected guest artists for a handful of the tracks: Whole World colleague Dave Bedford ("Beware of the Dog"), Gong's new guitarist Steve Hillage ("Shouting in a Bucket Blues"), and former Soft Machine mates Robert Wyatt ("Hymn") and Mike Ratledge ("Interview"). "Interview" is easily one of the album's strongest, most original tunes, charged with a rugged, positively electrifying guitar sound courtesy of Ayers and psychedelic organ flourishes by Ratledge. And "Shouting in a Bucket Blues" is Ayers' inspired pop/blues groove…

Bananamour is ripe with Kevin Ayers' most mature and accessible compositions to date. Ayers grounded himself in a newly formed trio for his follow-up to Whatevershebringswesing. With bassist Archie Leggett and drummer Eddie Sparrow at the hub, Ayers selected guest artists for a handful of the tracks: Whole World colleague Dave Bedford ("Beware of the Dog"), Gong's new guitarist Steve Hillage ("Shouting in a Bucket Blues"), and former Soft Machine mates Robert Wyatt ("Hymn") and Mike Ratledge ("Interview"). "Interview" is easily one of the album's strongest, most original tunes, charged with a rugged, positively electrifying guitar sound courtesy of Ayers and psychedelic organ flourishes by Ratledge. And "Shouting in a Bucket Blues" is Ayers' inspired pop/blues groove…

Woofer… starts with another killer opening track, musically and lyrically, with "Girl From Germany," a chugging number detailing the problems the narrator has with his parents over his girlfriend, given their lingering wartime attitudes. The album builds upon the strengths of the debut to create an even better experience all around…

Ferguslie Park was recorded after a dizzying string of changes in Stealers Wheel - co-founder Gerry Rafferty's exit soon after finishing the group's first LP, his replacement by Luther Grosvenor and the delayed climb of "Stuck in the Middle with You," Rafferty's return, and the firing of all involved and the reduction of the group to its founding duo of Rafferty and Joe Egan. The resulting album, recorded with some nine support players (including ex-Herd members Gary Taylor and Andrew Steele, plus guitarists Joe Jammer and Bernie Holland), conductor/arranger Richard Hewson in support, and Jerry Leiber and Mike Stoller producing, is an upbeat if somewhat less focused work than its predecessor - the mix of hard rock ("What More Could You Want") and lean, melodic songs ("Good Businessman") highlighted by lush choruses, and augmented with occasional spacy digressions…

Alvin Lee headed in a more soulful musical direction on this 1973 album, with Mylon LeFevre taking lead vocals on some of the tracks and writing fresh material. This album has a different, more relaxed feel, that coaxed new sounds out of guitar hero Alvin. The recording features a stellar line up of guest musicians - including Stevie Winwood, Jim Capaldi, Tim Hinkley, Ron Wood and a special guest appearance by ex-Beatle George Harrison.