This is the Reinhardt mother lode – a six-disc collection of the Gypsy legend's oeuvre stretching from just before to just after World War II. Disc one includes several infectious cuts with vocalist Freddy Taylor, beginning with Stuff Smith's "I'se a Muggin'." Disc six closes with one of Reinhardt and Grappelli's last recording sessions together, which included an unusually dark reading of "Oh Lady Be Good" and a revisitation of the obscure "Bricktop" (the first version appears on disc two). In between are well over 100 marvelous tracks, with sound quality up to Mosaic's (and Michael Cuscuna's) impeccable standards. The booklet contains a learned essay and annotation by Mike Peters, as well as an impressive gallery of photographs, concert posters, and news clippings. Extraordinary, and for Reinhardt's most devoted fans, entirely worth the investment.
Due to its name and the fact that its core comprises a swing-based string band, listeners might be excused if they believe that the Hot Club of San Francisco closely resembles Django Reinhardt's band of the 1930s, the Quintet of the Hot Club of France. Actually Django is the main inspiration for guitarist Paul Mehling and his quartet (comprising three acoustic guitars and a bass) but the results are far from derivative. Of the dozen tracks on the fine release from Clarity, the Hot Club accompanies three excellent singers on two songs apiece: Maria Muldaur (who sounds quite enthusiastic on "Nature Boy" and "Don't Be That Way"), Dan Hicks (famous for leading his Hot Licks) and veteran blues veteran Barbara Dane…
American guitarist Frank Vignola fronts this contemporized version of the classic Django Reinhardt-Stephane Grappelli combo, joined by 58-year-old Uruguayan violinist Federico Britos, second guitarist Eric Bogart and bassist Phil Flanagan. They swing through several of the original Hot Club's classics, American popular standards, and a couple of unexpected asides. Of the repertoire joined at the hip to Reinhardt and Grappelli, the well-swung "Djangology" shows Vignola as a mad hatter with triple time and twiddling phraseology, even at slower tempos. The gypsy anthem "Dark Eyes" has the two guitarists rumbling in flamenco style, Britos soloing all alone before Vignola wrests the swing away from him. Vignola is a furious demon of strummed chords, churning up a storm during the bookended selections "I Found a New Baby" and the hot, hot, hot "Stompin' at Decca"…
The Hot Club Of San Francisco goes Fab! The venerable Gypsy Swing Combo interprets The Beatles on the gorgeous new album 'John, Paul, George & Django. It was only a matter of time before guitarist Paul Mehling focused his creative mojo on Lennon and McCartney's vast and enduring treasure trove of songs. The founder and guiding spirit of the Hot Club of San Francisco, America's longest running Gypsy swing ensemble, Mehling was first inspired to pick up a guitar when …
This project is an inspired idea. Guitarist Charlie Byrd, who will always be best-known for his bossa nova recordings, also always loved Django Reinhardt's music. He heads du Hot Club de Concord, a group similar to the Quintet of the Hot Club of France, except that instead of being comprised of three guitars, one violin, and a bass, this ensemble has two guitars (with Frank Vignola playing rhythm behind Byrd), violinist Johnny Frigo, bassist Michael Moore, and Hendrik Meurkens on harmonica. The blend between harmonica and violin is particularly effective, and the repertoire ranges from swing tunes (including Byrd's "Swing '59") to some light Brazilian music, ballads, and standards. Byrd, Frigo, and Meurkens take plenty of fine solos, making this a highly recommended set.