T. J. Johansson

Yngwie Johan Malmsteen (born Lars Johan Yngve Lannerbäck, 30 June 1963) is a Swedish guitarist, songwriter, composer, and bandleader. Malmsteen first became known in the 1980s for his neoclassical playing style in heavy metal, and has released 21 studio albums in a career spanning over 40 years. In 2009, Time magazine rated Malmsteen as number 9 among the 11 greatest electric guitar players of all time.

Malmsteen's playing on the follow-up to the epochal Rising Force is slightly more raw and aggressive, but the most notable difference is the addition of lyrics on many of the songs. By his own admission, Malmsteen isn't much of a lyricist, and his frequent use of occult and pagan imagery (demons, Vikings, and so on) isn't as effective at producing a dark, gothic mood as his compositions and guitar playing are. Still, those aspects of the album are vital and stimulating, making Marching Out a worthwhile listen.

Odyssey is the fourth studio album by guitarist Yngwie Malmsteen, released on 8 April 1988 through Polydor Records. The album reached No. 40 on the US Billboard 200 and remained on that chart for eighteen weeks, as well as reaching the top 50 in five other countries. As of 2017 it remains Malmsteen's highest-charting release on the Billboard 200. Steve Huey at AllMusic gave Odyssey two stars out of five, calling it "a more subdued, polished collection seemingly designed for mainstream radio airplay", but that it "shows little difference in approach from Malmsteen's previous output". He praised Joe Lynn Turner's vocals and Malmsteen's guitar work, but remarked that the latter sounds "constrained and passionless" due in part to his recovery from a near-fatal car accident in 1987.

Yngwie Malmsteen's second best album after Rising Force, Trilogy finds him delving wholeheartedly into fantastic, medieval themes and lyrical imagery. Yngwie's compositional skills are at their peak, and of all his albums, the lyrics here contribute the most to the overall feel of the music. The guitar solos, as always, are jaw-droppingly fast and technically demanding, but Malmsteen is still capable of playing them with force and fire behind them. Highlights include "Dark Ages," "You Don't Remember, I'll Never Forget," and the epic "Trilogy Suite Op:5."

The Tolkien-inspired "Dreamsongs from Middle Earth" is the second product of the creative collaboration between the well-known Swedish musicians and composers Pär Lindh and Björn Johansson, both of whom are multi-instrumentalists. Their first joint musical experience took place in 1996 and was marked with the release of the (still, Tolkien-inspired) album "Bilbo". "Dreamsongs from Middle Earth" is an amazingly coherent recording, which, above all, is due to the fact that all the contents conform to a unified, nearly monolithic, compositional and stylistic conception. (Well, there are only wordless, separate and chorus, female vocals, so the album can be considered only a semi-concept work). There are no pauses between the tracks here, and each of the following ones provides the logical development of the music on its predecessor…

Rising Force was a revelation upon its release in 1984; Eddie Van Halen had introduced dazzling speed to the realm of rock guitar technique, and the compositions of Randy Rhoads had begun to fuse heavy metal with neo-classical influences, but no one before Yngwie Malmsteen was able to combine those elements with such blinding virtuosity. Malmsteen's innovative guitar style made Rising Force a mandatory primer for '80s metal guitarists, with its classical chord progressions and Malmsteen's use of harmonic minor scales, a wide vibrato imitative of classical violinists, and impossibly fast picking techniques, including the sweep-picked arpeggio (sort of a cross between strumming a chord and picking each note individually).

"Traumerei" is a German word that means daydream or reverie. It is the title song on this eleven track CD by Trio X of Sweden. It is also a perfect description of the music herein, played lovingly by Lennart Simonsson on piano, Per V Johansson on bass, and Joakim Ekberg on drums. "Traumerei" (Prophone 2012). On the subdued pieces the drumming is subtle even as it measures the beat, and provides nice touches of color particularly with the brushes. A lot of the slower songs fit into the chamber jazz category, lovely and ethereal. But there are also some quiet pieces with a swing beat, and definitely upbeat tunes as well.