T0 Kill to M0ck1ngb1rd (1962)

In 1962 Benny Goodman had a historic visit to the Soviet Union, touring with a big band full of young all-stars. After the orchestra returned to the U.S., tenor saxophonist Al Cohn (who had not made the trip but did write some of Goodman's charts) put together an album (also released by Colpix) using many of the sidemen and paying tribute to the event. Strangely enough none of the six numbers are Cohn originals and he does not play on the record although he arranged all of the music. Of the six songs, "Mission to Moscow," "Let's Dance" and "Russian Lullaby" were part of Goodman's repertoire. Altoist Phil Woods effectively doubles on clarinet and other soloists include tenor saxophonist Zoot Sims, trumpeter Marky Markowitz and trombonist Willie Dennis. An interesting set of modern swing.

Given that Kill to Get Crimson follows Mark Knopfler's yearlong collaboration with Emmylou Harris – inaugurated by the album All the Roadrunning and followed by a tour, subsequently documented on the live set Real Live Roadrunning – it might be reasonable to presume that it bears a slightly heavier folk influence, as if Emmylou had rubbed off on the guitarist…

Given that Kill to Get Crimson follows Mark Knopfler's yearlong collaboration with Emmylou Harris – inaugurated by the album All the Roadrunning and followed by a tour, subsequently documented on the live set Real Live Roadrunning – it might be reasonable to presume that it bears a slightly heavier folk influence, as if Emmylou had rubbed off on the guitarist…

Freddie Roach differentiated himself from the legions of soul-jazz organists on his debut album, Down to Earth. Many jazz organists played the instrument down and dirty, and while there's funk in Roach's playing, his style is ultimately lighter than many of his peers, with clean, concise solos and chords. His backing trio - guitarist Kenny Burrell, tenor saxophonist Percy France, and drummer Clarence Johnston - follows his lead, providing supple instrumental support that never loses sight of the groove. Furthermore, Burrell and France both have their chances to shine, contributing some nicely understated solos…

MANTICORA is back with the follow-up to the critically acclaimed “To Kill to Live to Kill”. This is the second part of the grandiose concept, this one entitled ”To Live to Kill to Live”. The album will be released on August 28th. The horror story is concluded and once again, Jacob Hansen worked wonders on the production, as well as David Troest, creating a stunning piece of artwork for the album and the whole booklet. Sit back and enjoy 63 minutes of metal perfection!