The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. …
Crowded House is a long standing and much-loved vehicle for the song writing talents of Neil Finn. Formed in Melbourne Australia in 1985 out the ashes of New Zealand’s Split Enz by Neil, Paul Hester and Nick Seymour, their eponymous self-titled debut album on Capitol Records went on to global success with the hits ‘Don’t Dream It’s Over’ and ‘Something So Strong’. Those songs and many that followed are still resonating with audiences today, the former in particular being one of the most covered songs of the last 20 years. The band’s first incarnation lasted from 1985 through 1995 with 4 studio albums and enjoyed much success worldwide, becoming particularly beloved for their freewheeling and interactive live shows. This line-up said Farewell to the World on the steps of the Sydney Opera House in 1996 with a now legendary performance in front of 150,000 people.
Chillout Sessions is a series of compilations released by Ministry of Sound that focus on songs from the chillout genre. Songs on Chillout Sessions compilations vary in style from lounge to electronica and are released by many different artists. The Chillout Out genre of compilations started in the UK and since 2003 Ministry of Sound has released them under different tropes such as "Chilled", "After Hours", "The Morning After…" which has shown MOS to have seemingly ended its branding of the genre as Chillout Sessions.
Defected Records brings you a very special compilation - the latest from their highly acclaimed In The House series, mixed by label head, Simon Dunmore - Defected In The House - Evissa '04!…
House is a genre of electronic dance music characterized by a repetitive four on the floor beat and a tempo of 120 to 130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines.