One of the finest and most influential rhythm & blues acts of the '50s, the "5" Royales began their career as a gospel group called the Royal Sons Quintet before crossing over to secular music in 1952. The "5" Royales initially recorded for Apollo Records, where they scored hits like "Baby Don't Do It" and "Laundromat Blues," but they enjoyed greater success when they signed with King Records in 1954 and stormed the R&B charts with tunes like "Monkey Hips and Rice," "Think" (later covered by James Brown and Aretha Franklin), and "Dedicated to the One I Love" (which both the Shirelles and the Mamas & the Papas took to the upper reaches of the pop charts).
What's in a name? If you love mid-'60s folk-rockers the Mamas & the Papas, this four-volume U.K. Complete Anthology (2004) speaks for itself. The 101 selections run in excess of five hours centering on the vintage long-players If You Can Believe Your Eyes and Ears (1966), The Mamas & the Papas (1966), The Mamas & the Papas Deliver (1967), The Papas & the Mamas (1968), People Like Us (1971), and The Monterey International Pop Festival (1971)…
It's been more than 50 years since John Phillips, Michelle Phillips, Denny Doherty and Cass Elliot first joined their voices together in song as The Mamas and The Papas, yet the group's shimmering harmonies, rich melodies and affecting "words of love" are every bit as resonant today as during the turbulent 1960s. This month, the rich legacy of the California dreamers is being celebrated with a remarkable new 4-CD collection from TJ Lubinsky's TJL Productions!
It's been more than 50 years since John Phillips, Michelle Phillips, Denny Doherty and Cass Elliot first joined their voices together in song as The Mamas and The Papas, yet the group's shimmering harmonies, rich melodies and affecting "words of love" are every bit as resonant today as during the turbulent 1960s. This month, the rich legacy of the California dreamers is being celebrated with a remarkable new 4-CD collection from TJ Lubinsky's TJL Productions!
Of all the early rock & rollers, Fats Domino was the easiest to take for granted, since he made it all seem so easy. Even when it rocked hard, his music was so relaxed, so friendly that it sounded effortless and natural, which was part of the reason that his classic recordings for Imperial in the '50s were so consistently enjoyable. All the hits, many of their flips sides, and most of his album cuts were flat-out fun – maybe not as revolutionary as work by Little Richard, Buddy Holly, Chuck Berry, and the Everly Brothers, but his body of work for Imperial not only stands proudly next to theirs, but is just as influential. This much is clear after years of hindsight, but in the late '60s he was as passé as any of his peers, even if there were legions of new rockers, from the Beatles to Randy Newman, who were raised on his music.
A two-CD, 53-track set that includes for the first time ever the A and B side of every single the group released, all in their impossible-to-find-on-CD original U.S. mono single mixes. But this one-of-a-kind collection—which is remastered by Aaron Kannowski, the engineer responsible for our other acclaimed collections of singles by fellow Dunhill label acts The Grass Roots and Steppenwolf—doesn’t stop with The Mamas and the Papas’ singles. It also includes the solo single sides that group members Mama Cass Elliot, Denny Doherty and John Phillips cut for the Dunhill and ABC labels, again in their rare, original single mixes. Many of the solo singles and B-sides have never been on CD, let alone in their single mixes; plus, over the course of listening to this set (which clocks in at over 150 minutes), you’ll hear such legendary songs as “Monday, Monday,” “California Dreamin’,” “Creeque Alley,” “I Saw Her Again,” “Words of Love,” “Dream a Little Dream of Me,” “Glad to Be Unhappy,” “Dedicated to the One I Love,” and “It’s Getting Better” exactly as folks heard them over the radio back in those halcyon days.