The End

Although Introspection bombed due to a belated release, collectors have since heralded it as one of the finest albums from the brief British psychedelic wave. Produced by Rolling Stone Bill Wyman in early 1968, the spirit of the era (or maybe that of the previous summer) is sonically created, with sumptuous results. Giffin and Graham's gentle harmony vocals tread a similar path to Odessey and Oracle-era Zombies, while sessionman Nicky Hopkins' harpsichord, a pumping Hammond, Terry Taylor's searing Cream-like fuzztone guitar leads, psychedelic duel-ragas, and floating Mellotron recreate the colors of a rainbow. The overall effect is psych-pop rather than acid-inspired mayhem, although the drifting ambience of the production, lyricism, and instrumentation could not be anything else than a product of psychedelia…

A monster bit of funk that's unlike anything else we can think of! Their number 15 pop smash "Funky Nassau Part 1 & 2" is the cream of this hands-on production by the Bahamas natives. The nine cuts fuses island rhythms and American jazz/funk into a doable, choppy mixture featuring guitars, bass, drums, and scratch vocals. Misclassified as a disco band, the Beginning of the End served up breezy Phil Upchurch-esque sounds, with "Come Down" and "Surrey Ride" being prime examples.

THE END MACHINE are back with their sophomore album, "Phase2," which follows on the heels of their well-received and successful self-titled debut album released in 2018. The End Machine features former classic lineup Dokken members George Lynch and Jeff Pilson with the awesome singer Robert Mason (Warrant, Lynch Mob) on lead vocals. Classic Dokken drummer Mick Brown handled drums on the first album, but is now retired, so in his place behind the drum kit is none other than his brother Steve Brown. The new record builds on the great bluesy hard rock music of the debut, but sees the band move more towards the classic Dokken sound and the result is a 2.0 reboot of a killer music machine!

A monster bit of funk that's unlike anything else we can think of! Their number 15 pop smash "Funky Nassau Part 1 & 2" is the cream of this hands-on production by the Bahamas natives. The nine cuts fuses island rhythms and American jazz/funk into a doable, choppy mixture featuring guitars, bass, drums, and scratch vocals. Misclassified as a disco band, the Beginning of the End served up breezy Phil Upchurch-esque sounds, with "Come Down" and "Surrey Ride" being prime examples.

Although Introspection bombed due to a belated release, collectors have since heralded it as one of the finest albums from the brief British psychedelic wave. Produced by Rolling Stone Bill Wyman in early 1968, the spirit of the era (or maybe that of the previous summer) is sonically created, with sumptuous results. Giffin and Graham's gentle harmony vocals tread a similar path to Odessey and Oracle-era Zombies, while sessionman Nicky Hopkins' harpsichord, a pumping Hammond, Terry Taylor's searing Cream-like fuzztone guitar leads, psychedelic duel-ragas, and floating Mellotron recreate the colors of a rainbow. The overall effect is psych-pop rather than acid-inspired mayhem, although the drifting ambience of the production, lyricism, and instrumentation could not be anything else than a product of psychedelia…

"The End Is the Beginning Is the End" is a Grammy Award-winning song by American alternative rock band The Smashing Pumpkins. It is the first full-band song released as a single by the Smashing Pumpkins in the aftermath of their 1995 album, Mellon Collie and the Infinite Sadness…