Toto IV 2022 Sacd

Toto IV is the fourth studio album by American rock band Toto released in the spring of 1982 by Columbia Records. The lead single, "Rosanna", peaked at number 2 for five weeks on the Billboard Hot 100 charts, while the album's third single, "Africa", topping the Hot 100 chart, became the group's first and only number 1 hit. The album received six Grammy Awards in 1983 including Album of the Year, Producer of the Year for the band, and Record of the Year for "Rosanna". It reached number four on the Billboard 200 album charts in the United States, shortly after its release. It also reached the top ten in other countries, including Canada, Australia, New Zealand, the Netherlands, Italy, Norway, the United Kingdom, and Japan.

Toto IV is the fourth studio album by American rock band Toto, released on April 8, 1982 by Columbia Records. The lead single, "Rosanna", peaked at number 2 for five weeks on the Billboard Hot 100 charts, while the album's third single, "Africa", topping the Hot 100 chart, became the group's first and only number 1 hit. Both songs were hits in the UK as well, reaching number 12 and 3, respectively. The fourth single, "I Won't Hold You Back", also peaked within the top ten on the Hot 100, at number 10, but atop the Billboard Adult Contemporary charts for three weeks. It also went into the top 40 in the UK. With the success of "Africa", the album climbed back into the top 10 in early 1983 on both sides of the Atlantic. Toto IV received three Grammy Awards in 1983 including Album of the Year, Producer of the Year for the band, and Record of the Year for "Rosanna". It reached number four on the Billboard 200 album charts in the United States, shortly after its release. It also reached the top ten in other countries, including Canada, Australia, New Zealand, the Netherlands, Italy, Norway, the United Kingdom, and Japan.

Two Against Nature — Steely Dan's Grammy winner for Album of the Year! The brilliance of Steely Dan on Hybrid SACD from Analogue Productions! Newly remastered from the original analog tape by Bernie Grundman direct to DSD!

The astonishing Judee Sill was the first artist signed to David Geffen’s Asylum Records, and Judee Sill the first album released on the label. Sill’s music is intensely spiritual, redolent of both mysticism and divine imagery, yet grounded by great songwriting and a pure but powerful singing talent. Her songs impart incredible intimacy that is enhanced and not diminished by her sometimes complex string/orchestral arrangements (remarkably Sill arranged and conducted the strings/orchestra on her albums!).

The astonishing Judee Sill was the first artist signed to David Geffen’s Asylum Records, and Judee Sill the first album released on the label. Sill’s music is intensely spiritual, redolent of both mysticism and divine imagery, yet grounded by great songwriting and a pure but powerful singing talent. Her songs impart incredible intimacy that is enhanced and not diminished by her sometimes complex string/orchestral arrangements (remarkably Sill arranged and conducted the strings/orchestra on her albums!). Sill’s life was tragic personally and professionally. Her father and brother were killed when Sill was young, and her tempestuous relationship with her alcoholic (and remarried) mother resulted in her leaving home at 15. She committed robberies and began a battle she was destined to lose against drug addiction. When stardom didn’t follow the critical acclaim of these two albums her career never recovered. Sill was dead in 1979 at just 35. The brevity of Judee’s musical legacy is vastly outweighed by the emotional power in these two extraordinary albums. Judee Sill and Heart Food are Mastered DIRECT-TO-DSD from the original analog master tapes by Kevin Gray at CoHEARent Audio. The master tapes are in fine shape, and listeners will be blown away by the increased inner detail and three-dimensionality of these achingly gorgeous recordings.

The Brilliance of Steely Dan on Hybrid SACD! Steely Dan's Last Studio Album with Founding Member Walter Becker! Newly Remastered from the Original Analog Tape by Bernie Grundman Direct to DSD!

Limited Hybrid SACD edition of the rocker's 2000 collection.

Mastered from the Original Analog Master Tapes for Extraordinary Sound: Mobile Fidelity's Numbered-Edition Hybrid SACD Takes The Eagles' One of These Nights to the Limit. Grammy-Winning 1975 Album Showcases Glenn Frey and Don Henley's Songwriting Superiority: Features 'Lyin Eyes,' 'Take It to the Limit,' and the Chart-Topping Title Track. Band Seamlessly Blends Folk, Country, Rock, and Blues Elements: Quadruple-Platinum Effort Marks Co-Founder Bernie Leadon's Final Appearance on an Eagles Record. One of These Nights occupies an important, unique place in The Eagles' discography given it represents the final album the group made before releasing the bajillion-selling Their Greatest Hits (1971-1975) compilation. The timing is telling. A coming-out party for Glenn Frey and Don Henley's songwriting skills, the studio record - the band's fourth, and it's first to hit #1 on the charts - signifies the group's ascent to superstar status.

in 1974, the Eagles released their third studio album, an LP that earned them their first - but certainly not their last - hit single.
Produced by Glynn Johns ("You Never Cry Like a Lover" and "Best of My Love") and Bill Szymczyk (everything else) during sessions at Record Plant Studios in Los Angeles and Olympic Studios in London, ON THE BORDER was the first Eagles album with guitarist Don Felder in the lineup, but it could have been a very different album if the guys in the band hadn't tired of Johns' efforts to play country in their rock. Johns' argument was, "The Who is a rock and roll band, and you're not," and you can imagine how well that went over. After working with Johns in London for six weeks, the Eagles returned to L.A., where they teamed up with Szymczyk, and it was during those sessions that Felder joined the band. Admittedly, he joined rather late, so he can only be heard on two tracks - "Good Day in Hell" and "Already Gone" - but it was enough to make a name for himself and be officially accepted into the band.