Trentemoller Latenighttales

Sounds Of The Universe | The 12" Singles, a deluxe collector's edition box set, contains seven 12" vinyl discs presenting singles–including Wrong, Peace, the double A-side Fragile Tension/Hole To Feed–alongside B-sides, remixes, dub versions and other recordings contemporaneous to Depeche Mode's 12th studio album, Sounds Of The Universe, originally released by Mute Records in April 2009.

Deluxe two CD edition of the world's most successful chillout collection! This time, the soundtrack to the upcoming summer comes with beautiful tracks from great chillout experts, ambient and downbeat music from Moby, Nightmares on Wax, Penguin Café, Maricopa, Ozo and many others. The producers of Café del Mar and their compiler Toni Simonen have managed to present two CDs with a varied tracklisting on the same level as the most successful issues of this great compilation series.

The KVB releases a remix EP that includes reworks from Drab Majesty, trentemøller, Moa Moa, Principleasure, maXlon and the band themselves.

Lakeshore Records will release a new soundtrack album for the AMC original series Halt and Catch Fire. The album features a selection of songs from the show, including the main title theme by Trentemøller, as well as tracks by Violent Femmes, The Clash, Peter Gabriel, Pixies, David Bowie, talking heads, Ex Hex & more. The soundtrack will be released digitally on August 18, 2017 and is now available for pre-order on Amazon. The label has previously released a soundtrack featuring the show’s original score by Paul Haslinger. Halt and Catch Fire is created by Chris Cantwell & Chris Rogers and stars Lee Pace, Scoot McNairy, Mackenzie Davis, Toby Huss, Kerry Bishé, and David Wilson Barnes. The show’s fourth and final season will premiere on August 19 on AMC.

In addition to his prodigious careers as a director, writer, producer, sound designer, and carpenter (to name a few), David Lynch also stretched his artistic reach to music. He collaborated heavily with his go-to composer Angelo Badalamenti on the scores and soundtracks to his projects, including the music for Blue Velvet, 1990's iconic Twin Peaks soundtrack, and Mulholland Drive. He also collaborated, with and without Badalamenti, on pop albums such as Julee Cruise's Floating into the Night (which featured songs she performed on the Blue Velvet and Twin Peaks soundtracks) and jazz guitarist David Jaurequi's Fox Bat Strategy. Lynch teamed with sound engineer John Neff for Blue Bob, a one-off project that the duo recorded in Lynch's home studio. The director worked with Danger Mouse and Sparklehorse's Mark Linkous on Dark Night of the Soul, a project that featured Lynch's photography and Linkous and Danger Mouse's music, and also included a song sung by Lynch. Though the project was intended for release in 2009, legal issues prevented it from being distributed until mid-2010. Later that year, Lynch released the double-sided debut single Good Day Today/I Know, which was released by the U.K. imprint Sunday Best. Featuring Lynch on vocals and all instruments, the single was given a physical release in early 2011 and featured artwork by 4AD designer Vaughan Oliver. A full album, Crazy Clown Time, followed in 2011. Lynch returned with his second album, the avant rock/blues fusion Big Dream, in mid-2013. In 2015, Sacred Bones reissued Polish Night Music, a 2007 collaboration with pianist/composer Marek Zebrowski that they recorded while the director was working on the film Inland Empire.

This Record Store Day, the Dedstrange Rogues’ Gallery of Remix Producers joins forces with renowned Danish Electronic.

The tenth studio album by the American band. Features the singles 'Do You Realize??', 'Yoshimi Battles the Pink Robots, Pt. 1', 'Fight Test' and 'Ego Tripping at the Gates of Hell'. This expansive 20th anniversary deluxe edition features 100 tracks on the 6 CD box set of which over 50 are previously unreleased. The 6 CD box also includes the two EPs released during the original album cycle and two live concerts from Boston in 2002 and London in 2003.

If, in 1999, The Soft Bulletin found the Flaming Lips decisively moving away from their previous identity as acid-damaged rockers and segueing into a more genteel sort of psychedelia, 2002's Yoshimi Battles the Pink Robots was where the band fully set their controls for the heart of the sun.