The Vietnamese-French combination known as Tai Phong was cursed by their early success due largely to the single "Sister Jane" from their first album. While it was an effective pop ballad with progressive arrangements and sold very well, it insisted upon itself for the next few years, with several mediocre clones appearing on 45 and the "Windows" album, resulting in a musical schism between these and their symphonic progressive epics. By the time of the aptly titled "Last Flight", the band had lost their ability to write and perform effectively in both realms.
Through the course of this thankfully brief exercise, a few passages stand out here and there, particularly on the two longest tracks, courtesy of Michel Gaucher's tenor saxophone and Pascal Wuthrich's jazzy piano.
Taï Phong released 2 sensational progressive rock albums in the mid 70's "Windows" and their debut release. Taï Phong blend the classic prog sounds of Yes with a touch of Pink Floyd. Lead singer Khanh has a higher vocal pitch than Jon Anderson and he is not afraid to let it rip! This band houses some amazing musicianship and song writing capabilities.