Take Mirei

The vocal sextet's debut release was critically acclaimed, capturing Grammy Awards in both the jazz and gospel categories. In a diverse selection of songs, Take 6 merges an a cappella sound with gospel and big-band jazz arrangements. Of the ten songs recorded, six are from the public domain, two are group collaborations, and the remaining two are from outside sources. Their harmonies and melodies are consistent throughout this outstanding collection of songs. In addition to being the lead vocalists on most of the tracks, Claude McKnight and Mark Kibble also produced the album, along with tenor Mervyn Warren. Moreover, the other three members also exert their vocal versatility by singing lead on at least one selection each.

Nobody Else is the third studio album by British boy band Take That. It was released on 8 May 1995 in the UK, Europe and Asia. The album includes the singles "Sure", "Back for Good" (which remains the group's most successful song to date) and "Never Forget". It would become Take That's last studio album to be recorded before they disbanded in 1996. Nobody Else also became the last album to feature Robbie Williams until his return to the band in 2010 for Progress. The single release of "Never Forget" in July 1995 marked the departure of Robbie Williams, who started a solo career the following year. The album reached number one in the UK, German, Dutch, Irish, Finnish, Belgian, Austrian, Italian and Swiss charts, and was also released in America by Arista Records on 15 August 1995, albeit with a different track listing. The album has been certified 2× Platinum in the UK. The album sold six million copies Worldwide.

his Life is the upcoming ninth studio album by English pop band Take That. It is the first album released after their greatest hits album Odyssey, and their first studio album in over six years. The album is due to be released on 24 November 2023.

In 2018, country music is still well and truly alive and kicking. We’re not talking about the alien world of mega festivals and musical compromise for the sake of commerce, we’re talking about the art of songwriting, the rootsy pull on heartstrings and mainlining of heartache and devotion through the songs and stories of musicians from across the wide Australian expanse. Take Me To Town lays its mission statement out with its title. It’s a collection of alternative country songs. 47 of them. They’re the kinds of songs you’ll hear in pubs, bars, cafes and bowling clubs on any day of the week. Whether there are five people and a dog in front of the artist or a raucous room, packed to the gunnels, hot and noisy; these musicians sing their stories and play their instruments with heartfelt conviction.

In 2018, country music is still well and truly alive and kicking. We’re not talking about the alien world of mega festivals and musical compromise for the sake of commerce, we’re talking about the art of songwriting, the rootsy pull on heartstrings and mainlining of heartache and devotion through the songs and stories of musicians from across the wide Australian expanse. Take Me To Town lays its mission statement out with its title. It’s a collection of alternative country songs. 47 of them. They’re the kinds of songs you’ll hear in pubs, bars, cafes and bowling clubs on any day of the week. Whether there are five people and a dog in front of the artist or a raucous room, packed to the gunnels, hot and noisy; these musicians sing their stories and play their instruments with heartfelt conviction.